Friday, August 21, 2026

《那場與「コ」字形拐角的命運撞擊》


 

一、蘇醒與斷片

1975年8月13日,一睜眼就見室友小G就在跟前,她關切地問我:「芬,儂醒來啦?搿搭是啥地方曉得伐?」我環顧四周,幾張床幾個床頭櫃和墙壁都是洁白的,「是醫院。」「曉得侬是哪能進來搿伐?」「勿曉得。」「侬應該勒勒做啥?」(你應該在做什麼?)她問。「應該在回上海的路上,我怎麼到這兒來了?」

二、小G補充了我記憶的空白

記憶停留在晌午時分。漁業隊宿舍前的大堤上,小P正坐在那輛手扶拖拉機上,焦急地等待放假回家的我們。他也是一片好心,想給我們捎上一段路,送我們去場部長途汽車終點站。走路的話要走三刻鐘呢,拖拉機早已發動了,突、突、突、突、地跟它主人一樣心急。

車斗兩邊的側板上坐滿了人就等我了,我算帳耽誤了一點時間。提了行李匆忙跑上大堤,爬上車鬥挤在了最後邊。小P就啪、啪、啪、啪加速上了路。到汽車站的路倒是不難走,就是個「コ」字形狀的三段路,中間那段路要長許多,路面是細小的碎石。小P的拖拉機在那條路上「風馳電掣」,我們一波人談笑風生,後來的事兒就不知道了。

小G跟我說了事情的經過。原來拖拉機在第二個90度的大轉彎處並沒有減速。離心力將我甩了出去,後腦勺兒著地,摔在了拐角處的水泥橋邊,當時就不省人事兒了。人們大呼小叫讓小P停車,有人喊我的名字,有人用力掐我的人中,我全無反應。

大家七手八腳地將我送進了醫院。好在場部醫院就在附近,其他人乘車回了上海,小G留了下來陪我。

我摸了摸人中果然有點腫皮兒也破了,沒見其他傷口,也忘記問具體受傷的头部位置以及摔在地上的具体位置。

三、自我檢索與慶幸

中午11點多出的事兒,大約下午1點才醒過來。吐了一回。醫生說是腦震盪的反應,說我得了輕微腦震盪。聽到這個結論,內心感到十分恐懼。

躺在病床上將過去唱過的歌,樣板兒戲,讀過的唐詩宋詞,三十六計,白話文小說裡的警句,還有乘法口訣,化學元素週期表,甚至毛主席的老三篇都默默地輪番兒背了一遍。外加警世通言裡的「有朝一日花容退,雙手招郎郎不來。」的歪詩都在腦海裡翻出來了。有點可憐我自己還沒「做過人呢」咱不能就此廢了呀~

結果,含著淚暗自慶幸,我還記得還記得!我沒變傻!13日住院16日出院,在上海休假養病28日歸隊。

**********************************

A Collision of Fate at the "U-Turn" Bend

Part I: Awakening and the Fragmented Memory

On August 13, 1975, the very instant I cracked my eyes open, I saw my roommate, Xiao G, standing right beside me. Looking at me with deep concern, she asked, "Fen, you’re awake? Do you know what kind of place this is?" I looked all around us. The sparse arrangement of beds, the few nightstands, and the walls were all a sterile, pristine white. "It's a hospital." "Do you know how you ended up in here?" "No, I don't." "What are you supposed to be doing right now?" she prodded. "I’m supposed to be on the road back to Shanghai... How on earth did I end up here?"

Part II: Xiao G Fills the Blank Canvas of My Memory

My memory had cut out completely around midday. On the levee right in front of the fishery team's dormitory, Xiao P had been sitting aboard his hand-tractor, waiting anxiously for those of us heading home for the holidays. He was coming from a place of pure kindness, wanting to hitch us a short ride to the long-distance bus terminal at the farm center. Walking there on foot would have taken a solid forty-five minutes. The tractor was already fired up, its engine letting out an impatient thut-thut-thut-thut that perfectly mirrored its owner’s eager spirit.

The sideboards of the cargo bed were already packed tight with people, and everyone was simply waiting on me; I had been delayed a bit by some final accounting work. Clutching my luggage, I dashed up the embankment, scrambled into the cargo bed, and squeezed into the absolute furthest spot at the back. Xiao P immediately revved the engine, accelerating onto the road with a series of sharp, explosive pop-pop-pop-pops. The road to the bus station wasn't inherently difficult to navigate; it was shaped like a "コ" (a rigid, three-sided block layout), with the middle stretch being considerably longer and paved with fine, crushed gravel. Xiao P’s tractor went "streaking like the wind" down that stretch, and our whole group was laughing and chatting merrily. Everything that happened after that was a total blank.

Xiao G filled me in on the rest of the incident. It turned out that when the tractor hit the second sharp, 90-degree turn, Xiao P didn't slow down in the slightest. The sheer centrifugal force hurled me clean out of the vehicle. My head struck the ground back-first, crashing hard right against the edge of a concrete bridge at the corner, knocking me completely unconscious on the spot. Everyone began shouting and screaming for Xiao P to stop the tractor. Some cried out my name, while others firmly pinched my philtrum—the groove right above my upper lip—trying to shock me awake, but I gave absolutely no reaction.

In a frantic scramble of hands and feet, everyone carried me off to the hospital. Fortunately, the farm hospital was located close by. The rest of the group eventually boarded their buses back to Shanghai, but Xiao G stayed behind to keep me company.

I reached up and touched the groove above my lip; sure enough, it was swollen, and the skin was broken. I couldn't see or feel any other wounds, and in my dazed state, I completely forgot to ask about the exact location of my head injury or the precise spot on the ground where I had fallen.

Part III: A Mental Inventory and a Wave of Relief

The accident had happened a little after 11:00 AM, and it wasn't until roughly 1:00 PM that I finally came to. I threw up once. The doctor explained that this was a standard reaction to a concussion, concluding that I had suffered a mild brain injury. Hearing that diagnosis, a cold wave of absolute terror washed through my core.

Lying there on the hospital bed, I began frantically digging through my mind. One after the other, I silently rehearsed every song I had ever sung, scenes from revolutionary model operas, Tang and Song dynasty poems I had memorized, the Thirty-Six Stratagems, famous idioms from vernacular novels, and even my multiplication tables. I went through the periodic table of chemical elements, and even ran through Chairman Mao’s "Three Constantly Read Articles." I even managed to excavate a cynical bit of old verse from Stories to Awaken the World: "Should there come a day when your beautiful face fades away, even if you stretch out both hands to welcome a suitor, no suitor will come." Lying there, I felt a deep, overwhelming pity for myself. I haven’t even gotten to live life as a proper adult yet, I thought, I absolutely cannot let myself become broken right here!

In the end, with tears welling in my eyes, I quietly rejoiced. I remembered! I still remembered everything! I hadn't turned foolish! I was hospitalized on the 13th, discharged on the 16th, spent the rest of my leave resting and recovering in Shanghai, and finally reported back to my unit on August 28th.

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百四十六篇


《盲目認親、竹林清夢與嘰嘎嘰嘎聲》


 
一、 認了門親戚

D會計、老L和老S,都是隊裡的骨幹,也是交情甚好的哥們兒。他們的家都在農場以外,騎車來回要一兩個小時。D會計是我的頂頭上司,為人嚴謹,是隊裡的「第三把手」。那天,D會計邀請我和室友小G去喝他小女兒的周歲喜酒,並提出想讓我們當孩子的「寄娘」。當時我們一臉懵懂,自己還是個孩子,怎麼就當「娘」了呢?

好幾桌酒席擺在鎮上的家門前,那是熱鬧非凡的露天宴。如今回想起來,那時真是不懂事兒,既沒有帶禮物赴宴,也沒給幹女兒見面禮兒,可淳樸的D會計似乎全不在意。

二、幽靜的居所:老L家的竹林清夢

老L人稱「諸葛亮」,他的家在四團公社,是典型的江南小院兒。前院兒有一眼水井,屋後有一片竹林。房屋西北兩邊被一條大河圍著,幽靜得如同世外桃源。

那天,女主人特地宰了一隻老母雞,早早地把西瓜放在井裡冰鎮著。倆小孩在門口玩兒,大兒子六七歲的樣子,在河邊抓了幾隻青蛙,去地裡摘了新鮮蔬菜,燒柴煮飯幫母親打下手。

當年的新大米配上井水,用柴火灶燒出來,那個香,簡直是城裡人無法想像的。

飯後,我們來到後院的竹林裡,腳下厚厚的落葉踩上去沙沙作響。在林子中間的一小塊空地上,放一扇大大的、磨得光滑的厚木舊門板,躺在上面听任微风拂面。

四周圍拔地而起青翠欲滴的竹子細梢,高高地聚集在頭頂上方,隨風搖曳,陽光被竹葉篩碎灑在林間和我們身上。耳畔飄來遠處的蟬鳴與隱約的搗衣聲。一陣瞌睡襲來合上眼睛,管他「今夕何夕」。

小男孩兒悄悄端來一盆剛剛採摘的棗子、桃子和甜蘆黍,又輕輕地離開。

三、迷糊的一夜:老S家的雕花床

老S住在最遠的大團,或許是看其他人都請了。他也不願落下。我和英子在他家過了一夜,睡的是他女兒出嫁留下的老式雕花床。只是那一晚,隔壁屋的竹榻「叽嘎」

「叽嘎」聲響了一整夜,吵得我們沒睡踏實。多年後才「知道」,那天老S的竹塌床響聲的緣由。多年後才明白,在那交通不便、十天半月才能回一趟家的歲月裡,那是糙漢子們特有的、火熱而短暫的家庭溫存。而我們那時真是單純得像白紙,啥也不懂,白白聽了一夜的「噪音」哈哈。

**********************************

A Blind Kinship, a Bamboo Forest Dream, and the Creaking of a Bamboo Bed

Part I: Gaining a Family Connection

Accountant D, Lao L, and Lao S were all the backbone of our team, and they were also close, dependable buddies. Their homes were all located outside the state farm, requiring a one- to two-hour bicycle ride each way. Accountant D was my direct supervisor—a rigorous man who served as the team's "third-in-command." One day, he invited me and my roommate, Xiao G, to his home to celebrate his youngest daughter's first birthday, and he proposed that the two of us become the child's Ji Niang (godmothers). At the time, we were completely bewildered. We were practically children ourselves, so how could we suddenly become "mothers"?

Several banquet tables were set up right in front of his house in the town, making for a tremendously lively, open-air feast. Looking back on it today, we really lacked basic worldly wisdom; we arrived at the banquet empty-handed without a single gift, nor did we give our new goddaughter any sort of blessing present. Yet, the pure and simple-hearted Accountant D didn't seem to care in the slightest.

Part II: A Secluded Abode — A Bamboo Forest Dream at Lao L’s House

Lao L was affectionately nicknamed "Zhuge Liang" for his clever wit. His home was located in the Situan Commune—a quintessential southern Chinese courtyard house. The front yard featured a deep water well, and a lush bamboo grove flourished behind the house. The entire property was bordered on its northwest sides by a wide, sweeping river, making it as quiet and serene as a hidden peach-blossom paradise.

That day, the hostess specially slaughtered an old hen for us and had placed a whole watermelon down into the well early in the morning to chill it. Their two young children played happily by the doorway. The eldest son, around six or seven years old, caught a few frogs down by the riverbank, picked fresh vegetables from the plot, and helped his mother by gathering firewood and cooking.

The aroma of that year's newly harvested rice, cooked with fresh well water over a wood-burning stove, was a fragrant perfection that city dwellers simply could never imagine.

After our meal, we wandered into the bamboo grove in the backyard, the thick carpet of fallen leaves crunching softly beneath our feet. In a small clearing right in the middle of the grove sat a large, old, solid-wood door panel that had been polished perfectly smooth over time. Lying down upon it, we surrendered ourselves to the cool breeze brushing across our faces.

All around us, vibrant, emerald-green bamboo stalks surged toward the heavens, their slender tips clustering high above our heads and swaying gently with the wind. The sunlight, filtered and shattered by the bamboo leaves, dappled the forest floor and our bodies. The distant hum of cicadas and the faint, rhythmic thumping of river laundry drifted into our ears. As a wave of drowsiness washed over me, I closed my eyes, utterly careless of "what day or year it was."

The little boy quietly carried over a basin filled with freshly picked dates, peaches, and sweet sorghum canes, and then slipped away just as softly as he had arrived.

Part III: A Restless Night — The Carved Bed at Lao S’s House

Lao S lived the farthest away, in Datuan. Perhaps seeing that the others had already hosted us, he refused to be left out. Yingzi and I spent the night at his house, sleeping in an old-fashioned, intricately carved wooden bed that his daughter had left behind after getting married. However, throughout that entire night, the bamboo cot in the adjoining room creaked and groaned—ji-ga, ji-ga—without a single moment of rest, keeping us from falling into a sound sleep.

Years later, I finally understood the true cause behind the relentless creaking of Lao S's bamboo bed. I only truly figured it out today: back then, getting a chance to travel all the way home took ten days or even half a month. In those years of grueling travel and constant separation, that noise was simply the uniquely passionate, fleeting domestic warmth of rugged men snatching a brief moment with their families. As for us back then, we were truly as pure and blank as sheets of white paper; we knew absolutely nothing about the world, and spent the whole night fruitlessly listening to that "noise," haha!

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百四十五篇


《隨塘河畔的青春漁歌》


 

一、 那場啼笑皆非的「偷船」往事 

1974年8月,我被調離紙袋廠,去了漁業隊擔任出納。雖說坐辦公室不用出去幹體力活,但有時我喜歡跟他們一起去捕魚。尤其是走水路。

一大清早水面上晨霧飄渺,人還沒醒透。坐在船上,耳畔是電動船馬達突突聲。伴隨著河水拍打船幫的汩汩聲。出神地看著船駛過,帶出的兩條滾滾白浪。呈八字形迅速朝兩岸滾去,拍打在河堤上。清風拂面髮絲飛揚,那一刻彷彿置身於另一個世界。

隨塘河上很少有船隻,駕駛員小潘是個開朗的上海老三届知青。愛開快船,隊裡的這隻木頭機動船,被他開出了快艇的氣勢。偶爾遇到一隻小舢板,他總要惡作劇地,開足馬力疾馳而過。看著後者在浪花中東倒西歪,他便哈哈大笑。

一天我們去捕魚,下網的地方,正是我還在紙袋廠時與姐妹們「闖禍」的地方。那是幾個月前的,一個溫暖的午後。珍珠、芳芳、蓉蓉和我,四個姑娘想去看海。看著地圖以為大海近在咫尺,便一路南行。誰知小徑蜿蜒,還翻過一道防海大堤。

兩個多小時過去了,海腥味兒還沒聞到,卻被一條大河攔住了去路。河邊停著一隻小木船,仗著在長風公園划過幾次漿,我鼓動大家:「上!」於是我們小心翼翼地下了陡峭的河岸。可看著湍急的河水,誰心裡都發怵。她們仨都沒划過船,看來海灘是去不成了。

我異想天開建議將船抬到蘆葦蕩裡去划,那兒水淺。我們將船拖上岸,抬著走了約莫一里地。我們來到了那片迷人的蘆葦蕩邊。但是岸邊水很淺又有雜草淤泥,船走不暢,只好作罷。我們錯過了「驚起一灘鷗鷺」的浪漫。不懂事兒的我們放下了小船,甩了甩酸痛的胳膊回去了。

當我在現場跟大家說起這段往事時,話音未落本地漢子老斯便爽朗大笑:「啊哈!原來是你們幹的好事!害得我們找了好幾天呢!」眾人哄堂大笑。「啊呀呀,真對不起!對不起!」我連聲道歉。那高大黝黑的老斯笑起來兩個長酒窩盛滿了那個年代特有的純樸。

二、烈日下的綱舉目張 

農場的河道都歸漁業隊管轄。在我們要捕魚的那段河道的一頭,一隻小木船橫在水中央,放下「攔頭網」斷魚的退路。大約兩三里地開外的另一頭,在水裡放下一張大「拖網」。水中央也橫著一隻小船,掛著重重的拖網的綱繩。綱繩上的白色浮子隨波湧動,水中網眼悉數張開。這便是真正的「綱舉目張」。

兩岸的人像黃河纖夫一般,背著纖板拖著這張網。木纖板斜擋在胸前,身子前傾,腳尖點地,一步一挪。纖板勒痛了胸口,就挪到腰臀部,倒退著走。那河床時寬時窄,河岸時坦時陡。有時為了繞過灌木叢,我們還需下到及腰深的冷水中艱難地行走。

驚慌的魚兒不時跳出水面,有的逃之夭夭。有的卻倒霉地躍入小船,與守船的小伙子展開「殊死搏鬥」。那憨厚的本地小伙子手忙腳亂,臉上常被魚尾巴甩得滿是鱗片與水花。惹得岸上的人捧腹大笑,甚至有人笑倒在地。姑娘們嬌嫩的皮膚怕被太陽曬黑,被海風吹粗。用毛巾蒙臉,把草帽沿往下壓,再熱也穿著長袖,在路人眼中,這群穿著補丁衣服汗漬斑斑的人,形象真不咋地,但當他們看清那毛巾下是一張張年輕的面龐,正頂著烈日艱難背纖時。目光中總會流露出一絲憐憫與惋惜。

大約一兩個小時後,兩張網合攏。在岸邊漁網不斷收攏,大魚小蝦一個勁兒地蹦出水面,本能地想要掙脫。那個在小船上曾被魚兒「打臉」的小夥子興致勃勃地教我們吃活蝦。就在那魚蝦歡蹦亂跳,水花四濺的收網現場,他抓起一隻蝦,在河水裡輕輕一涮,捏住掙扎中的蝦頭與蝦尾,將蝦背朝外送到嘴邊,雙唇輕輕一抿,鮮嫩的蝦肉便滑入口中,而手中的蝦殼依然完好無損。

我們嘗試了好多次,要麼肉沒吃乾淨,要麼蝦殼被咬斷了,始終沒法像他那樣吐出完整的殼。這下小夥子可覺得「長臉」了,得意又憨厚地瞇起眼睛直笑。那是我們第一次吃「生鮮」,當然 那時候的我們還根本不知道什麼叫 Sashimi(刺身)。

收網、撈魚、過磅、銷售。花鰱魚也叫胖頭魚、白鰱魚和鯉魚。當時賣¥0.21一斤。青魚、草魚、鳊魚、鱸魚、鯔魚還有大閘蟹都是¥0.42一斤。

我們在夕陽中返航,雖然渾身魚腥氣和汗水,但大家都是開開心心的。

三、工作完畢洗個澡

工作完畢總要洗個澡。當時回到隊里,大家就拿熱水瓶和臉盆,到廚房打點熱水,回宿舍洗洗。後來搬到漁業隊第二住處,附近有一家化工廠,我們女生收工後就去廠裡洗澡。每次端著臉盆走近大門值班室,心裡總是七上八下的,擔心被呵斥不讓進。

洗澡時順便把衣服也洗了。出門時又是惴惴不安,低著頭快步走。等過了門衛的視線才如釋重負,那樣子就像「漏網之魚」。好在門衛多數時候也是睜一隻眼閉一隻眼。

聽人說化工廠有毒,會影響女孩生育,廠里還給職工發牛奶。所以每次去那兒都有雙重的緊張:怕門衛,也不敢深呼吸。其實空氣中沒異味,純粹是心理緊張。

四、貧瘠年代的豐饒補償 

小時候常餓肚子,餓了也不敢響,因為母親不愛聽,她也沒多餘的東西給我們吃。怎麼辦呢?餓了就喝口水,或者有氣無力地唱《大海航行靠舵手》。後來母親聽出意思來了,也不讓唱了。

六十年代吃飯要用秤稱分量。父親是一家之主是不限量的,哥哥們只有一二兩,我就更少了。整天餓得前胸貼後背。那時候糧食是定量的,小學生每月19斤,初中生27斤,高中生31斤。我們那代人普遍營養不良。參加工作第一年工資才18塊,能吃飽就不錯了,根本不知道長身體需要大量的營養。

或許是命運的補償,到了漁業隊後,飯食裡總少不了鮮魚。一毛錢就能買一大碗,半條一尺長的活魚。哪怕只是清水煮煮撒把鹽,也是極致的美味。剔除刺的魚肉和湯放置一晚上,第二天就凝成了晶瑩的魚凍。

好在當年知識匱乏,不知道食物在常溫下放兩小時就滋生細菌,否則哪能吃得那麼香?那時候可沒冰箱。當然,變質發臭了肯定得扔,那是都懂的生活常識。但我們的魚凍肉眼看不出變質,味道還好極了。

那帶著微弱土腥味的鮮美,填補了身體的虧空。最初老漁民看我愛吃魚背上的肉,就教我說:要吃魚頭、魚鰭、魚肚和魚尾巴,那才叫香。

如今想來,那段把臉都吃圓了的歲月,竟是那個貧困年代裡,河水給予我們最慷慨的饋贈。

**********************************

A Youthful Song by the Suitang River

Part I: That Absurd yet Romantic "Boat Stealing" Incident

In August of 1974, I was transferred from the paper bag factory to the fishery team to serve as their cashier. Although working in the office meant I didn't have to go out and do manual labor, I occasionally loved to join them out on the water to catch fish—especially when we took the waterways.

In the crisp early morning, a delicate mist would float lazily across the water's surface before anyone was fully awake. Sitting aboard, my ears would fill with the steady thut-thut-thut of the motorized boat's engine, accompanied by the gentle, gurgling slosh of the river lapping against the hull. I would lose myself in a trance, watching the boat glide forward, carving out two rolling white wakes that cascaded outward in a V-shape toward both banks, gently slapping against the river levees. With the cool breeze brushing against my face and my hair flying in the wind, I felt in those moments as though I had stepped into an entirely different world.

Boats were a rare sight along the Suitang River. Our driver, Xiao Pan, was a cheerful Shanghai Laosanjie sent-down youth. He absolutely loved speed, and he steered our team's wooden motorized boat with the fierce momentum of a speedboat. Whenever we chanced upon a tiny sampan, he couldn't resist a bit of mischief—revving the engine to full throttle to streak past them. Watching the little boat rock helplessly back and forth in our turbulent waves, he would burst into a roaring laugh.

One day, we went out to fish, and the spot where we cast our nets happened to be the exact location where my girlfriends and I had "caused trouble" just a few months earlier when I was still at the paper bag factory. It had been a warm afternoon. Zhenzhu, Fangfang, Rongrong, and I—four young girls—decided we wanted to go see the ocean. Looking at the map, we thought the sea was just a stone's throw away, so we headed straight south. Little did we know the path would wind relentlessly, eventually requiring us to scale a massive sea defense levee.

More than two hours passed, and without catching even a single whiff of the salty sea air, our path was completely cut off by a wide, rushing river. Tied up by the riverbank was a small wooden rowboat. Guided by the reckless confidence of having rowed a boat a handful of times on the lake in Shanghai's Changfeng Park, I urged everyone: "Get in!" And so, we gingerly made our way down the steep, muddy bank. Yet, looking out at the swift, turbulent currents, fear gripped everyone's hearts. None of the other three had ever rowed a boat before; it became clear that the beach was an impossible dream.

In a fit of wild imagination, I suggested that we lift the boat and carry it over to the reed marshes where the water was shallow. We dragged the boat ashore and carried it on our shoulders for about a li until we reached the edge of that enchanting reed marsh. However, the water at the bank was far too shallow, choked with weeds and thick silt, making it impossible for the boat to glide. We had no choice but to give up. Thus, we completely missed out on the poetic romance of "startling a shore full of herons and gulls." Foolish and ignorant as we were, we simply abandoned the little boat right there, shook out our aching arms, and headed home.

The moment I finished sharing this old memory with everyone on the fishing boat, the words had barely left my mouth when Lao Si, a local village man, let out a hearty, booming laugh: "Aha! So that was your doing! You made us look for that boat for days!" The entire boat erupted into a chorus of roaring laughter. "Oh my goodness, I am so terribly sorry! I'm so sorry!" I apologized repeatedly. As the tall, dark-skinned Lao Si smiled, his two deep dimples seemed brimful of the pure, innocent spirit unique to that bygone era.

Part II: "When the Main Line is Raised, All the Mesh Opens" — Hauling Nets Under the Scorching Sun

All the waterways on the farm fell under the jurisdiction of our fishery team. At one end of the river section where we intended to fish, a small wooden rowboat sat crosswise in the middle of the current, dropping a "blocking net" to cut off the fishes' retreat. About two or three li away at the opposite end, a massive "trawl net" was lowered into the water. Another small boat sat anchored in the center of the river, holding the heavy main haul lines of the trawl. The white floats along the line surged and bobbed with the waves, and every single mesh of the net fully opened within the current. This was the vivid, literal embodiment of the old phrase: "When the main line is raised, all the mesh opens."

On both riverbanks, people lined up like the famous boat-pullers of the Yellow River, dragging the immense net with wooden harness boards strapped across their chests. With the wooden boards pressing diagonally against our chests, our bodies leaned heavily forward, our toes dug into the earth, and we shuffled along, step by agonizing step. When the harness chafed our chests too painfully, we would shift it down to our hips and walk backward. The riverbed changed constantly, shifting from wide to narrow, and the banks alternated between flat, muddy slopes and steep, rugged inclines. Sometimes, to bypass thick clusters of wild brambles, we even had to plunge into the waist-deep, freezing water and trudge forward with great difficulty.

Panicked fish broke the surface of the water from time to time, some successfully making their escape. Others, less fortunate, leaped straight into the small rowboat, engaging in a "life-or-death struggle" with the young man guarding the vessel. That honest, clumsy local lad would get completely flustered, his face frequently whipped by frantic fish tails until he was covered in scales and muddy spray. This always threw the people on the banks into fits of roaring laughter, with some laughing so hard they literally collapsed onto the ground. The young girls, terrified that their delicate skin would be blackened by the relentless sun and coarsened by the sea breeze, wrapped their faces tightly in towels and pressed the brims of their straw hats low. No matter how stifling the heat, they insisted on wearing long sleeves. In the eyes of passing strangers, this sweat-stained crowd clad in patched clothing certainly didn't look like much. Yet, the moment those passersby caught sight of the youthful faces hidden beneath the towels, enduring such grueling labor under the scorching sun, a flicker of pity and bittersweet lament would always soften their gaze.

After about an hour or two, the two giant nets converged. As the netting was steadily hauled onto the bank, massive fish and tiny shrimp leaped frantically out of the water in a primal instinct to break free. The same local lad who had just been "slapped in the face" by the fish excitedly offered to teach us how to eat live shrimp right there on the spot. Right in the middle of that splashing, chaotic harvest, he scooped up a live shrimp, gave it a quick rinse in the river water, pinched the struggling head and tail, and brought the curved back of the shrimp to his lips. With a gentle, practiced press of his lips, the tender, translucent shrimp meat slid flawlessly into his mouth, while the shell in his hand remained perfectly intact.

We tried it countless times, but either the meat didn't come out clean or we ended up biting the shell to pieces; we simply couldn't master his trick of spitting out a whole, unbroken shell. This small triumph finally allowed the local lad to "save face." Beaming with a mix of pride and rustic innocence, he narrowed his eyes and couldn't stop smiling. That was the very first time in our lives we had ever eaten "live seafood"—though, at the time, none of us had ever even heard the word Sashimi.

Hauling the nets, scooping the catch, weighing the haul, and making sales—that was our routine. Bighead carp (also known as fat-head carp), silver carp, and common carp sold for a mere 0.21 yuan per jin. Black carp, grass carp, bream, sea bass, mullet, and even the prized hairy crabs all went for 0.42 yuan per jin.

By the time we charted our return course against the setting sun, we were completely drenched in sweat and reeking of fish—yet every single one of us was brimming with pure, unadulterated happiness.

Part III: Washing Up After the Day's Labor

After finishing our hard labor, we always needed a proper bath. Back then, upon returning to our sector, everyone would simply grab their thermoses and washbasins, fetch a bit of hot water from the kitchen, and wash up inside the dormitory. Later on, when we relocated to the fishery team's second living quarters, there happened to be a chemical plant nearby. From then on, we girls would head over to that factory to take our baths after knocking off work. Every single time we approached the guardroom at the main gate holding our washbasins, my heart would flutter with anxious uncertainty, terrified that we would be scolded and barred from entering.

While taking a bath, we would wash our clothes at the same time. Walking back out the gate was equally nerve-wracking; we would keep our heads bowed low and walk at a hurried pace. It was only when we finally passed beyond the line of sight of the guards that we could let out a sigh of relief, feeling very much like "fish that had successfully slipped through the net." Fortunately, most of the time, the guards chose to turn a blind eye and let us pass.

We had heard rumors that chemical plants were toxic and could severely affect a woman's fertility, which was why the factory distributed free milk to its workers. Consequently, every trip there filled me with a double layer of dread: I was terrified of the guards, and I didn't even dare to take a deep breath. In reality, there was absolutely no strange odor in the air; it was entirely a manifestation of my own psychological tension.

Part IV: A Lavish Compensation in an Age of Scarcity

When I was a child, I often had to endure an empty stomach. Even when I was starving, I never dared to make a sound, because my mother couldn't bear to hear it—she simply had no extra food to give us anyway. What was there to do? When hunger struck, I would swallow a mouthful of water, or use what little strength I had left to croon the revolutionary song, "Sailing the Seas Depends on the Helmsman." Eventually, my mother caught on to the underlying meaning of my singing and forbade me from singing it altogether.

During the 1960s, meals had to be strictly weighed on a scale to measure the portions. My father, as the head of the household, was exempt from limits. My older brothers were allotted a mere one or two liang (approx. 50–100 grams) of grain, and my share was smaller still. I spent my days constantly starving, my stomach practically pinned to my backbone. In those years, grain was strictly rationed: elementary school students received 19 jin a month, junior high students got 27 jin, and high school students were allowed 31 jin. Our generation suffered from widespread malnutrition. During my first year of work, my monthly wage was a meager 18 yuan. Just being able to eat our fill was considered a luxury; we had absolutely no concept that a growing body required vast amounts of proper nutrition.

Perhaps as a form of cosmic compensation from destiny, after I arrived at the fishery team, fresh fish became an absolute staple of our daily meals. For just ten cents, one could purchase a massive bowl containing half of a live, foot-long fish. Even when it was simply boiled in plain water with nothing but a handful of salt thrown in, it tasted like the ultimate, exquisite delicacy. The leftover fish meat, meticulously cleared of bones, along with the broth, would sit out overnight. By the next morning, it would congeal into a beautiful, crystalline fish jelly.

Fortunately, we suffered from a profound lack of scientific knowledge back then and had no idea that food left at room temperature for two hours would swarm with bacteria—otherwise, how could we have ever eaten it with such relish? There were certainly no refrigerators in those days. Of course, if something went spoiled and turned rancid, we knew well enough to throw it out; that was basic common sense everyone possessed. But our fish jelly showed no visible signs of spoilage to the naked eye, and it tasted absolutely divine.

That fresh, savory flavor, laced with just a faint hint of earthy river mud, slowly built back up the deep deficiencies in our bodies. In the beginning, seeing how much I loved eating the meat along the fish's spine, the old veteran fishermen taught me their wisdom: "To truly experience the flavor, you must eat the head, the fins, the belly, and the tail. That is where the real savor lies."

Looking back today, that beautiful slice of time—when I ate so well that my face grew completely round—turned out to be the most generous, bountiful gift the river could have ever bestowed upon us during that impoverished era.

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百四十四篇



Thursday, August 20, 2026

《最後一面:十九岁的他,在那晚悄然離去》

 


一、荒唐又浪漫的青春

1974年在漁業隊,我們宿舍裡住著四個20歲左右的姑娘。我建議取各人名字中的一個字,串起來作為宿舍的名字:「艷蘭芬紅別墅」,還寫在了紙上貼在門楣上。我們以為那是情趣。可沒多久就被老支書一把撕了。那時候的我們單純得近乎透明,甚至連這名字背後的曖昧都讀不出來。

二、 兩種生活,一種都招架不住呢

老刁的性格內斂平時話少不常見。他的哥們兒都是其它連隊的,偶爾見到覺得他們都很帥氣清高。一次他們來到隊裡,居然在宿舍前的空地上給我們講起了故事。都是那年月地下流傳的手抄本小說:《梅花黨》、《一隻繡花鞋》、《綠色的屍體》、《第二次握手》等。夜幕降臨後故事還接著講,只是從露天搬到了女生宿舍。

昏暗的屋子裡特意只點了一根蠟燭,忽忽悠悠飄搖不定的燭光,給浪漫的故事平添了幾分溫馨,也為驚險的故事生出些許的寒意。

恐怖的故事使緊張感暴增,突然間会有人尖叫,惹得大家渾身起雞皮疙瘩,聽的人不斷往圈裡挪動凳子,圈子越縮越小。

記得其中一位講故事的人開口就說:「人的一生有兩種生活,一是日常生活,另一種是性生活。」

我注意到有個姑娘目光興奮地一閃,嘴角隨之往上翹起,有的垂下眼簾。而我卻還瞪著無知的大眼,腦子裡一頭霧水。納悶兒,干活領工資一種生活都招架不住呢,幹嘛還要有兩種?

第三部分:那條長圍巾與流言

當時我有一條心愛的全羊毛加長圍巾。加長圍巾是最新款式,過去店裡賣的都是短的。市面上剛出現時我就買了,15元一條,幾乎花了我一個月的工資,當時工資是18塊錢。隊裡有個姑娘看見我新買了一條黑色加長純羊毛圍巾,借去拍照。還我時不但沒跟我提起圍巾有一處的毛線被刮抽線了,她還把那根拽出的長毛線給剪了。好好的圍巾不只一個洞,邊上還有一條被抽緊的痕跡,當時很心疼。幾天後正趕上隊裡放假,大家都坐上了回城的長途汽車,聽到我與女生們說起那條圍巾被弄破了的事,老刁說他能找人織補,我就把圍巾給了他。其實老刁並不姓刁,只是因為他性格內向、平時深沉話少,朋友們覺得他有點像當時風靡全國的京劇《沙家浜》裡的刁參謀長,於是便給他起了這個外號。幾天後他來我家將織補好的圍巾還給了我,當時就我一人在家看書,也想不出什麼話說,他坐了一杯茶的功夫就走了,這便是我與老刁所有的私下往來。後來就有流言蜚語說我是他的女朋友。

我心中有個洞房花燭金榜題名的情結,便給自己築起了一道柵欄。我刻意地避開他,甚至後來在他病重時,也因為害怕誤會,硬著心腸沒去探望。隊裡的小青年都去過幾次了。他們回隊後,有一位男生對我說,是時候去探望一下老刁了,他已經說不出話了,每次他們去,老刁虛弱地掃視他們幾個一眼,因為沒有見到我,然後就流露出深深的失望。當他還沒失去說話能力時,他們去探望老刁,老刁曾問過他們,芬怎麼不來。

直到他母親從上海過來,找到漁業隊,打聽一個叫芬的姑娘。她拉著我的手,流著淚,求我去看看他的兒子。隊裡准了我2天假。當時他住在離醫院近的親戚家。病床上的老刁半身癱瘓,卻焦急地撥開正在用毛巾擦拭他嘴角的口水而暫時擋住了他視線的母親。目不轉睛地盯著我。我很局促,只坐了十分鐘就離開了。當我告辭時,他將頭往另一側轉了過去,再轉回來時,眼角的淚水就控制不住地流了下來。我答應他明天回農場前再來探望。

下午約了紙袋廠的好友蓉蓉一起去逛了淮海路,還去了她上海父母的家。當晚我回到家,看到老刁母親已經來找過,並留下一張字條:「芬,請你馬上來醫院,求求你了。」我心驚膽戰地趕到華山醫院,病床上躺著的老刁渾身插滿管子。他母親說,我一離開他就昏迷了,即刻被送進醫院,一直沒醒來。在醫院我呆了二十分鐘,跟他母親說,明天早上再來。可早上再去時,床位已空。他是在我離開後的那個午夜走掉的,那年他十九歲。

三、 尾声

後來我總在想,他是不是一直在苦苦等著見我那最後一面,流下一行淚後才肯離去?如果當時我能少顧及一點自己的感受,握一下那隻尚存知覺的手,對他和他的母親,會不會是最後的一點點安慰?

**********************************

The Last Glimpse: He Passed Away Quietly That Night, Aged 19

I. A Ridiculous Yet Romantic Youth

In 1974, at the fishery team, four girls in their early twenties—including myself—shared a dormitory. I suggested taking one character from each of our names to name our room: "The Yan-Lan-Fen-Hong Villa." We even wrote it on a piece of paper and pasted it above the door. To us, it was romantic and poetic. But before long, the old Party Secretary tore it down. Back then, we were so innocent we were almost transparent; we couldn't even detect the "indecent" connotations others might project onto such a name.

II. Two Lives—I Could Barely Manage One

Lao Diao was introverted and rarely seen. His friends from other units always seemed handsome and aloof. One day, they came to our team and began telling stories in the open space before our dorm. These were the "underground" hand-copied novels circulating at the time: The Plum Blossom Party, A Pair of Embroidered Shoes, The Green Corpse, and The Second Handshake.

As night fell, the storytelling moved into our dormitory. We lit a single candle. The flickering, unsteady light added warmth to the romantic tales and a chilling shiver to the thrillers. I remember one storyteller began with: "A person’s life consists of two kinds of existence: the daily life, and the sexual life."

I noticed one girl’s eyes flash with excitement, her lips curling into a smile. Others lowered their gaze. But I just stared with wide, ignorant eyes, completely bewildered. I thought to myself: "Between working and earning a wage, I can barely handle one kind of life. Why on earth do we need two?"

III. The Long Scarf and the Rumors

At the time, I owned a long, pure wool scarf that I absolutely cherished. Long scarves were a brand-new fashion trend back then; the shops had only ever sold short ones before. I bought it the moment it first hit the market for 15 yuan. It cost me nearly a whole month’s wages, which was only 18 yuan at the time. A girl in our production team saw my newly purchased black scarf and asked to borrow it to take a photo. When she returned it, not only did she fail to mention that the yarn had been snagged and pulled out, but she had actually taken scissors and cut the loose thread off. My beautiful scarf was left with a gaping hole and a tightly puckered ruin along the edge. I was utterly heartbroken.

A few days later, our team was granted some time off, and we all boarded the long-distance bus heading back to the city. While on the bus, Lao Diao overheard me talking to the other girls about how my scarf had been ruined. He told me he knew someone who could reweave and mend it, so I handed the scarf over to him. In truth, his real surname was not Diao; because he was incredibly introverted and rarely spoke, his friends felt his deeply reserved temperament shared a striking resemblance to Chief of Staff Diao from Shajiabang—a Peking opera that was sweeping the nation at the time—and so they affectionately nicknamed him "Lao Diao." A few days later, he came to my house to return the beautifully mended scarf. I was home alone reading a book at the time, and being terribly awkward, I couldn’t think of a single thing to say. He stayed just long enough to finish a single cup of tea and then left. That brief afternoon was the entire extent of our private interaction. Yet, soon after, rumors began to fly that I was his girlfriend.

In my heart, I carried a deeply traditional ideal of marriage and academic success, and so, to protect myself, I built a high fence around my heart. I deliberately avoided him. Even later on, when he fell gravely ill, I hardened my heart and refused to visit him out of a paralyzing fear of causing further misunderstanding. The other young people from our team had gone to see him several times. When they returned to the team, one of the young men in our team said to me, "It's time to go visit Lao Diao. He can't even speak anymore." They told me that every time they walked in, Lao Diao would weakly scan their faces, and upon realizing I wasn't with them, a profound look of disappointment would wash over him. Back when he could still speak, during their earlier visits, Lao Diao had even asked them bluntly, "Why hasn't Fen come?"

This continued until his mother traveled all the way from Shanghai to find our fishery team, desperately asking around for a girl named Fen. Holding my hand with tears streaming down her face, she begged me to go see her son. The team granted me two days of leave. At the time, he was staying at a relative's house near the hospital. Lying on the sickbed, Lao Diao was half-paralyzed, yet he anxiously pushed away his mother's hand—she had been wiping the saliva from the corner of his mouth and was temporarily blocking his view. He stared at me, his eyes locked onto mine without blinking. I felt incredibly stifled and awkward; I sat there for a mere ten minutes before getting up to leave. As I said my goodbyes, he turned his head all the way to the other side. When he turned back, the tears at the corners of his eyes could no longer be contained, spilling down his face. I promised him I would visit one more time the next day before heading back to the farm.

That afternoon, I met up with my close friend Rongrong from the paper bag factory. We went shopping along Huaihai Road and visited her parents' home in Shanghai. When I finally returned home that evening, I found that Lao Diao's mother had already been looking for me. She had left a frantic note: "Fen, please come to the hospital immediately. I beg of you." Terrified, I rushed to Huashan Hospital, only to find Lao Diao lying on the bed, covered in a maze of tubes. A circle of close friends and relatives was gathered all around his bedside. His mother wept, telling me that the moment I left him earlier that day, he fell into a coma, was rushed to the hospital, and had not woken up since. I stayed in the hospital room for twenty minutes, telling his mother I would return first thing in the morning. But when I went back the next morning, the bed was already empty. He had slipped away at midnight, right after I left. He was only nineteen years old.

Epilogue

In the years since, I have often wondered: was he desperately waiting just to see me one last time, refusing to let go until that final tear fell? If I had worried less about my own reputation back then, if I had simply held that hand which still possessed sensation... would it have offered a final shred of comfort to him and his mother?

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百四十三篇


《電話線那頭的磁性男聲:一個有電話也難以表達心聲的年代》

 


一、他的聲音很有磁性

1974年那時,农场各連隊的電話都要經過上海市屬五七幹校的總機轉的。接線员小S,總會打電話過來,有話沒話的聊天。我不善言辭,都是他問我答。比如:「吃了嗎?」「還沒呢。」「你在做什麼?」「算帳呢。」

他那頭一忙就會讓我等著,還囑咐一句「別掛了啊。」我有事走開一會兒,他都不讓我掛掉電話。都說我電話裡的聲音比較老氣,不像年輕人,我也納悶兒,他為啥老跟我這兒聊。他的聲音倒是很有磁性,象上海譯製片配音演員的聲音。

至於他以前是否見過我,不得而知,機會是有的。我們捕了魚都是在河邊現場銷售的。有時候我也會在現場收款開發票,買魚的人還真不少。在拥挤推搡着的男女老少人群中,有拿着大箩筐其他连队的司务长,还有不少拎着菜篮子的职工家属。我不是每回都跟了去的,队里还另有一个姑娘跟去捕鱼做销售。

二、想像不可靠

一天D會計說小S要來隊買魚了,真要見面了心裡就好像有個小兔子砰砰亂跳。那天小S跟D會計在宿舍前,沒到會計室來。我也只在辦公室窗子裡,遠遠地看了一眼。想像這玩意兒真的很害人,匆匆的一瞥,想像就被現實擊潰了。當然不是他長得醜,而是我對他的想像太完美了,以至於現實與想像對不上號兒。為此心裡好難過,從此有好一陣子小S不再打電話來了。也許他也對我失望了,其實我那一瞥有誤。首先我是俯視,再則D會計身高至少一米八。

一天在紙袋廠食堂工作的一個男生,突然打電話來,說請我回去一次有人要見我。去了才知道是小S。時過境遷這次就沒有什麼隔閡與顧慮了。我們三個像老朋友一樣打了一會兒乒乓。閒聊中提到了我將要回上海一次,小S說能安排我搭個車。

三、下車時似乎有一絲惆悵

能搭到車回上海是一舉兩得的,不用花錢,又省了時間。本來四小時的路途,縮短了一半兒。但搭車也不容易,只有那種與市區有貨物運輸往來的單位才有這個便利。要搭車就要託那些單位認識開車的幫忙,或者自己去碰運氣,等在車边上。我跟隊裡同事還搭過一两次車。一般司機都比較有同情心,除非沒地兒坐了。有的男生會遞給師傅一支煙就算是賄賂了。搭車的都坐在堆滿貨物的車鬥裡,擠在夾縫中或坐在貨物上面。一路上風特別大,渾身受凍,車兜的擋板不到兩尺高,不拉住捆綁貨物的繩索還很危險。每次搭車的人起碼有十來個,到上海後都是蓬頭垢面的。但奇怪的是到了市區要下車了,我心裡反到泛起一絲惆悵,希望就一直這樣坐下去。一到市區,司機就馬上讓搭車的下去,赶紧走人,怕遇到警察。

四、第一次和男孩靠得這麼近

去搭車那天我摸黑走了六七里路,天才濛濛亮就到了幹校。機房在二樓,屋子不大,燈光幽暗,打蠟木地板。屋子中間有幾個插满了线的大立柜。我靜靜地站在北窗邊,前方三、四十米處,一盞昏黃的路燈下,停著一輛我將要搭乘的大卡車,有人正在裝卸貨物。

實木窗框的窗台兒才到膝蓋高。小S工作台只一步之遙。他在交換台前忙過一陣後,放下耳機話筒,輕輕地走過來,站到了我的身後。有生以來第一次那麼有感覺地與異性站得這麼近。我被他的剛陽氣息包圍著,雖然沒有任何的身體接觸,卻令人感到思緒飄飄然抓收不住。身子軟綿綿搖搖欲墜,內心便生出了些許朦朧的期盼。我用僅存的一點理智,把持著沒有倒下去。

短短幾秒鐘似乎過了好幾年,因為什麼也沒發生,朦朧的期盼轉成一絲絲的幽怨,還好天还没亮,這瞬間的尷尬被昏暗掩飾了。

五、搭車坐進車頭的經歷

這次搭車我坐進了車頭裡,比過去兩次搭車坐在車鬥裡要舒服多了。我坐在司機後邊,車頭裡還有三位裝卸工,他們四個都是男性青壯年。一路上大家都沒說話,那天車還不是直接去上海市區。他們先去了金山和其它什麼地方裝卸貨物,都是荒郊野外人煙稀少的去處。

我一直有著莫名的緊張和擔心,不由得產生過後悔搭車和其它恐怖想像。本來四個小時的路程幾經周折到市區已經是天黑了。告別了他們後再輾轉坐公共汽車回家。

後來想想,那年月的人還都很淳樸的,我坐在裡面,大家都不說話是我冒昧打攪了他們,少了一路上的說說笑笑。他們那天也一定會覺得很不自在。

我此後再也沒搭過車。

六、又見小S但沒敢相認

那次搭車後,小S還是沒來過電話。終於強忍著心慌拿起電話,聽到的不是他的聲音。後來我婉轉地裝作若無其事地跟D會計打聽了一下。他說小S早就被調走了。去了哪裡我也不便打聽,終究連手也沒碰過的。但又一想畢竟電話裡是熟人了,走了也該打個招呼吧。

1974年10月21日那天,我與隊裡的幾個姑娘,摸黑走了18里路,去了一趟奉城。快進城了天剛麻麻亮,電線桿上的電線也開始四通八達了,再走幾步一個拐彎兒,城鎮外圍的房舍出現了。此時突然看見不遠處有個人,正在一根電線桿子上接電話線。走近了抬頭一看,呀!正是小S心!裡一咯噔,臉上陡然發燙。他也看到了我,但我們都沒打招呼,畢竟以前沒有見過幾次,再加上很久沒有他消息了。我略有遲疑,但沒停下腳步。

緊接著又懷疑我是不是看錯人了。

七、那場不告而別的真相

這兩天我才真正想通,當年他為何走得那樣倉促,甚至沒能給我打個電話告別。想必那次調離事發突然,他或許再也没有機會私自動用機房的電話,也無法親自來漁業隊道別。

畢竟在那個年代,所有的通話都要經過總機,面對其他熟識的接線員,那些藏在電話線裡的心事終究難以啟齒。

我們在奉城郊外的電線杆下,曾有過瞬間的對視,那時天剛蒙蒙亮,誰都沒有開口。也許是地點實在太出人意料——誰能想到在如此荒僻的地方(遠離農場、遠離市屬幹校),我們竟會這樣猝不及防地相遇?那一刻,一向矜持的我遲疑了,沒能停下腳步。而他,或許也正懷疑自己的眼睛。

走過,路過,錯過,人生總是如此半點不由人。

回想起來,連我自己都覺得有些不可思議,我如此投入的一場情感,到頭來,竟連他的全名都不知道,不知道那個姓氏究竟是「斯」還是「司」。

更不可思議的是,這一切竟都發生在短短兩個月內。我於1974年8月調往漁業隊,而10月21日便是最後的一瞥。在那短短的兩個月裡,為何能發生這麼多故事?難道在那樣的歲月裡,時間真的過得特別漫長嗎?

但在那個喜歡幻想的年紀,也許我迷戀的本就是那份求而不得的朦朧。隨著歲月的流逝,他在黎明微光中,電線杆上的模糊身影,又添了一層朦朧。

**********************************

An Era When Hearts Were Harder to Reach Than Phone Lines

Part I: A Voice with Magnetism

In 1974, telephone calls between the various sectors of the farm had to be routed through the central switchboard of the Shanghai Municipal May Seventh Cadre School. The operator, a young man named Xiao S, would always call me to chat, spinning a conversation out of nothing at all. Being someone of few words, I would simply reply to his questions: "Have you eaten?" "Not yet." "What are you doing?" "Accounting."

Whenever things got busy on his end, he would make me wait, leaving me with a firm instruction: "Don't hang up." Even if I had to step away for a moment, he wouldn't let me end the call. Everyone used to tell me that my voice over the phone sounded rather mature, unlike a typical young person's, so I always wondered why he spent so much time chatting with me. His voice, however, possessed a true magnetism—deep and resonant, much like the voice actors who dubbed foreign films at the Shanghai Dubbing Studio.

As to whether he had ever seen me before, I had no way of knowing, though the opportunity was certainly there. Whenever we caught fish, we sold them directly by the riverbank. Sometimes I would be there on-site to collect payments and write invoices, and the crowd of buyers was always immense. Squeezing and jostling through that bustling throng of young and old were production managers from other sectors holding large wicker baskets, alongside numerous workers' family members carrying shopping baskets. I didn't go every single time, as there was another girl in our team who also handled the fish sales.

Part II: The Unreliability of Imagination

One day, Accountant D mentioned that Xiao S was coming to our sector to buy fish. Knowing we were finally about to meet made my heart flutter like a trapped rabbit. That day, Xiao S and Accountant D stood out in front of the dormitory; they never actually stepped into the accounting office. I only caught a fleeting glimpse of him from afar, peering through the office window. Imagination can be a terribly cruel thing—with that single, hurried glance, my fantasy was instantly shattered by reality. It wasn’t that he was unattractive, but rather that the image I had built in my mind was so utterly flawless that the real person simply couldn't measure up. I felt a wave of deep disappointment over it, and for quite a while afterward, Xiao S stopped calling me. Perhaps he, too, felt disappointed in me. In truth, that glimpse of mine had been flawed from the start: for one, I was looking down at him from above, and furthermore, Accountant D stood at least one point eight meters tall.

One day, a young man who worked in the cafeteria of the paper bag factory called me out of the blue, asking me to come back because someone wanted to see me. It was only when I arrived that I realized it was Xiao S. Time had washed away the old awkwardness, and the barriers and anxieties were gone. The three of us played a game of ping-pong together, just like old friends. During our casual conversation, I mentioned that I would be traveling back to Shanghai soon. Xiao S immediately offered, saying he could arrange a ride for me.

Part III: A Hint of Melancholy upon Arrival

Being able to hitch a ride back to Shanghai was a double blessing—it cost nothing and saved time, cutting the usual four-hour journey clean in half. But getting a ride wasn't easy; only units with regular cargo transport routes to the city center enjoyed such a luxury. To catch a ride, you either had to ask someone who knew the drivers for a favor, or rely on sheer luck by waiting right beside the vehicles. I had hitched rides once or twice with colleagues from my team. Generally, the drivers were quite sympathetic, unless there was absolutely no space left. Some of the young men would hand the driver a cigarette as a small "bribe." Those hitching a ride would sit in the open cargo bed, packed tight with goods, squeezing into the narrow gaps or sitting right on top of the freight. The wind along the road was punishingly cold, freezing us to the bone, and with the truck bed's sideboards barely two feet high, it was incredibly dangerous if you didn’t hold onto the ropes binding the cargo. Every time we hitched a ride, there would be at least a dozen of us, and by the time we reached Shanghai, we were all disheveled and covered in dust. Yet, strangely enough, as we entered the city center and it came time to get down, a faint sliver of melancholy would wash over my heart, making me wish the ride would just go on forever. The moment we hit the urban streets, the driver would hurriedly tell us to get off and disperse immediately, terrified of running into the police.

Part IV: Standing Close to a Boy for the Very First Time

On the day I was to hitch a ride, I walked six or seven li through the pitch-black darkness, arriving at the cadre school just as the first faint glimmers of dawn began to break. The equipment room was up on the second floor—a small, dimly lit room with polished, waxed hardwood floors. In the center of the room stood several large, towering cabinets crammed with crisscrossing patch cords. I stood quietly by the north window. Looking out, some thirty or forty meters ahead under the dim amber glow of a streetlamp, sat the large cargo truck I was meant to board. A few silhouettes were busy loading and unloading freight.

The solid wooden window frame was low, barely reaching knee height. Xiao S’s workstation was just a single step away from where I stood. After being busy at the switchboard for a while, he set down his headset and microphone and quietly walked over, standing directly behind me. For the first time in my life, I felt the electrifying awareness of standing so incredibly close to the opposite sex. I was completely enveloped by his masculine presence. Though there was absolutely no physical contact, it left my thoughts drifting, airy and impossible to tether. My body felt soft, almost swaying, and a few hazy, delicate expectations began to bloom in my heart. Using the last shred of my remaining reason, I held my ground and kept myself from collapsing backward.

Those few fleeting seconds felt like they spanned several lifetimes. Because nothing actually happened, that hazy expectation slowly curdled into a faint, lingering ache of resentment. Fortunately, the sky was not yet bright, and the darkness gracefully shielded that momentary awkwardness.

Part V: My Experience Riding in the Truck Cab

This time, I got to sit inside the truck cab, which was infinitely more comfortable than my previous two experiences riding in the open cargo bed. I sat directly behind the driver. Inside the cab were three cargo handlers—all four of them young, robust men. Nobody uttered a single word the entire way. That day, the truck didn’t even drive straight toward the Shanghai city center. Instead, they went first to Jinshan and several other places to load and unload goods—all of which were desolate, sparsely populated areas out in the wild countryside.

An inexplicable tension and anxiety gripped me the whole time, and I couldn't help but regret hitching the ride, my mind spiraling into terrifying imaginings. What should have been a four-hour trip wound its way through so many twists and turns that by the time we finally reached the city center, darkness had already fallen. After bidding them goodbye, I had to navigate several public buses just to get home.

Thinking back on it later, the people of that era were actually very pure and simple. As I sat packed inside, everyone remained dead silent simply because my sudden presence had awkwardly intruded upon them, robbing them of the laughter and chatter they usually shared on the road. They must have felt terribly self-conscious that day too.

I never hitched a ride ever again.

Part VI: Seeing Xiao S Again, but Lacking the Courage to Speak

After that truck ride, Xiao S never called again. Finally, forcing down the frantic fluttering in my chest, I picked up the receiver myself, only to hear a completely unfamiliar voice on the other end. Later, I casually brought it up with Accountant D, trying my best to sound nonchalant. He told me that Xiao S had been transferred away long ago. It wasn't appropriate for me to pry into where he had gone—after all, we had never so much as held hands. Yet, a part of me couldn't help but think that since we had become such familiar fixtures over the phone line, he should have at least said goodbye before leaving.

On October 21, 1974, several girls from our team and I walked eighteen li through the pitch-black morning to visit Fengcheng. Just as we approached the town, the first faint light of dawn began to color the sky, and the telephone wires atop the poles began to branch out in every direction. A few more steps and a turn around the bend brought the houses on the town's outskirts into view. At that exact moment, I suddenly spotted a figure not far away, perched on a telegraph pole connecting phone lines. As I drew closer and looked up—ah! It was Xiao S! My heart instantly dropped, and a sudden, burning heat flushed across my face. He saw me too, but neither of us said a word. After all, we had only ever met a handful of times in person, and it had been so long since I last had any news of him. I hesitated for a brief, fleeting second, but I did not stop my feet.

Immediately afterward, I began to doubt myself, wondering if my eyes had simply played a trick on me.

Part VII: The Truth Behind That Sudden Departure

It is only in these past couple of days that I have truly come to understand why he left so abruptly back then, without even being able to call me to say goodbye. That transfer must have been sudden and unexpected. He likely never had another opportunity to use the equipment room's telephones for personal calls, nor could he come to the fishery team in person to say farewell.

After all, in that era, every single conversation had to pass through the main switchboard. Facing the listening ears of all the other familiar operators, those secrets hidden deep within the telephone lines were simply too difficult to put into words.

Beneath that telegraph pole on the outskirts of Fengcheng, we shared a split-second locking of eyes. The sky was just beginning to pale with dawn, and neither of us spoke. Perhaps the location was just too unexpected—who could have imagined that in such a remote, wild place (so far from the farm, so far from the municipal cadre school), we would collide so entirely unprepared? In that exact moment, reserved and guarded as I always was, I faltered and failed to stop my steps. And he, perhaps, was doubting his very own eyes.

To walk past, to cross paths, to miss each other entirely—life is always like this, completely out of our hands.

Looking back, even I find it somewhat unbelievable. An emotion I poured myself so completely into turned out, in the end, to be something where I never even learned his full name. To this day, I do not know if his surname was spelled "Si" (斯) or "Si" (司).

Even more unbelievable is that all of this unfolded in the span of just two short months. I was transferred to the fishery team in August of 1974, and October 21 marked our very last glimpse of one another. How could so many stories pack themselves into just two brief months? Did time truly move at a painfully slower pace during those years?

But at that age, when one is so deeply in love with illusion, perhaps what I was truly infatuated with was the beautiful, unattainable haze of it all. As the years bleed away, his blurred silhouette perched upon that telegraph pole in the first light of dawn has simply gathered one more soft layer of mist.


特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百四十二篇


《從「笑不露齒」到「冷若冰霜」:被牙齒困住的青春與救贖》

 


一、 被內化的枷鎖:從「笑不露齒」到「不敢開口」

我們成長的年代,社會提倡的是女性“不愛紅裝愛武裝”。母親的家教極為嚴謹,總叮囑我要“笑不露齒”。在那時少女的眼裏,美醜其實是一個模糊的概念。

打破這寧靜的是1970年。一群身穿軍裝的“白大褂”當著五六十人的面,直白地評價我“牙齒難看”。從那一刻起,我變得不會笑了。我意識到,原來“齒如編貝”才是美的標準,而我那拔掉了兩顆虎牙的門牙顯得如此不協調。

“齙牙”這個標籤,在我下意識裏埋下了自卑的種子。尤其是在照相館,當攝影師按下快門前喊出那個“笑”字時,那聲音簡直像發令槍響,瞬間將我的局促提到表層。洗出來的照片裏,肌肉僵硬,眼神閃躲。別人總評價我“不上照”,我氣得把照片撕了又撕,卻抵不過心底對記錄青春的渴望。

長大了,愛美之心漸長,牙齒成了我的心病。但在那個年月,整容被視為“資產階級情調”,公立醫院大多不設此科。直到1976年秋,我托了鄰居好友華姐,幾經周折聯繫到普陀區眼牙病防治所的郭醫師,才開啟了長達兩年的牙齒矯正歷程。

二、 命運的擦肩:一場因“開不了口”而錯過的招考

1976年12月24日,那是一個改變我人生走向的午後。我在農場漁業隊的食堂聊天,瞥見幾名男子從大堤走下。幾分鐘後,老支書叫我去辦公室。原來,那幾位是上海戲劇學院的招生老師。他們在人群中看中了我,想請這個“在伙房裏穿軍服的姑娘”去談談。

面對他們的問題,我雖然一一作答,但內心深處卻始終處於一種“開不了口”的狀態。那種被“白大褂”種下的自卑感如影隨形,我知道自己的牙齒不好看,便下意識地控制著表情,不敢有絲毫生動的流露。

那次“星探”的偶遇,就像一顆流星劃過。雖然他們很有禮貌地給了我筆試機會,但這種因容貌焦慮而產生的束縛感,加上離開學校已久,最終讓我與這次機會失之交臂。落選成了必然,那是青春特有的隱痛。

三、 精神的救贖:靈魂在巨著裏流浪

好在,那個枯燥的年代還有文學。文革時期,外國文學常被視為“大毒草”,但我的一位同班同學——文豪,成了我的引路人。

在學校時,我們甚至沒說過一句話。但他卻默默地從我家窗口,一摞一摞地遞進那些“禁書”。他將毫無文學素養的我,帶到了文學殿堂的大門口。自此,我沉浸在中西方古典文學的海洋裏。我不再糾結於是否能露出燦爛的笑容,轉而追求一種“冷若冰霜”的氣質。既然過去因偏見而不敢笑,現在乾脆不笑了,反而覺得簡單、自在。

四、 回望:那些必經的彎路

隨著歲月流逝,矯正過的牙齒因技術限制,又慢慢變得不太齊整。但相比最初,已是好了太多。更重要的是,隨著知識與閱歷的積澱,外貌的權重在心中逐漸淡去。

多年後回望,我有時會想:拔掉那兩顆虎牙,經歷這場並不完美的矯正,是不是走了一大圈彎路?如果當時我保留了像山口百惠那樣的虎牙,是否會更有個性?

也許,這一圈彎路就是我生命中必須要經歷的。沒有那段對容貌的掙扎,或許我也無法在文學中體會到那種深層的、冷峻的自由。

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From "Hiding the Smile" to Frosty Aloofness: A Youth Tethered by Teeth and Redeemed by Soul

I. The Internalized Shackle: When a Smile Becomes a Secret

During my youth, the prevailing ethos for women was "preferring military fatigues to silken robes." My mother’s upbringing was strict; she constantly reminded me to smile without showing my teeth. To a young girl then, the concepts of beauty and ugliness were still blurred.

That tranquility shattered in 1970. A group of "White Coats" in military uniform bluntly critiqued my appearance in front of dozens, declaring my teeth "unsightly." From that moment, I forgot how to smile. I learned that beauty was defined by "teeth like rows of cowrie shells," and my own—missing two canines—seemed jarringly uncoordinated.

The label of "buckteeth" planted a seed of inferiority in my subconscious. It bloomed most painfully at the photo studio. Whenever the photographer shouted "Smile!" before pressing the shutter, it felt like a starting pistol, forcing my anxiety to the surface. The resulting photos captured stiff muscles and defensive eyes. People said I was "unphotogenic." I tore those photos to shreds, yet I couldn't extinguish the burning desire to record my youth.

II. The Missed Encounter: A Silent Barrier

On Christmas Eve, 1976, fate brushed past me. While I was chatting in the farm’s canteen, a few men from the Shanghai Theatre Academy—"talent scouts," as we call them now—spotted me. They asked the party secretary to find the "girl in military uniform in the kitchen" for a talk.

Though I answered their questions, I remained mentally "unable to open my mouth." The shame planted by the "White Coats" shadowed me; I was so hyper-aware of my teeth that I suppressed every vivid expression. The encounter was like a shooting star—brief and unreachable. Despite their polite offer for a written test, my stifled confidence and the years away from school made failure inevitable. It was a poignant sting of youth.

III. Spiritual Redemption: Wandering Within Great Works

Fortunately, there was literature. During a time when foreign books were branded "poisonous weeds," a classmate named Wenhao became my guide. We had never spoken a word in school, yet he began passing stacks of "forbidden books" through my window.

He led a girl with no literary background to the gates of a grand temple. I became immersed in the ocean of Western and Chinese classics. I stopped yearning for a radiant smile and instead embraced a "frosty, aloof" demeanor. Since prejudice had stolen my smile, I chose not to smile at all. It was simpler, and in that coldness, I found a strange freedom.

IV. Reflection: The Necessary Detour

Years later, I look back at the extracted canines and the imperfect correction. Did I take a long, unnecessary detour? If I had kept those teeth—like the iconic Momoe Yamaguchi—would I have been more uniquely myself?

Perhaps this journey was exactly what I needed to experience. Without that struggle over my reflection, I might never have found the profound, cool liberty that awaited me within the pages of those books.

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百四十二篇


Tuesday, August 18, 2026

《上蒼的庇護:那些痛苦竟成了我的護身符》

 


一、隱形的護身符

經歷了數十年的歲月沉澱,我才恍然大悟:母親當年那頂沉重的「反革命」帽子,竟成了動蕩歲月中送給全家最隱形的護身符。儘管在當時,我們只感受到了無盡的痛苦。

二、先天的護身符

其實,我自帶一種天然的護身符——虎牙。上小學前,父親帶我去拔掉了它們。小時候僅有的三張照片裡,我的表情都很嚴肅,看不清牙齒。直到1970年的照片裡才見到了笑容。但那是人生中極為短暫的無憂無慮的笑。

三、當年的痛苦多年後轉為慶幸

1970年,上海著名的「十大賓館」在上海各中學進行選美式招聘。我被校方送去區教育局應聘體檢,我校只送了我一個人去。穿著軍裝的「白大褂兒」們特意說了一個笑話引起哄堂大笑,當著一房間五六十個應聘生的面,「白大褂兒」們嘖嘖嘆息:「啊呀!這女孩不笑多好看,可惜這兩顆門牙……」那番話刺痛了我的青春期,讓我從此不敢再笑。拍照片兒時面部肌肉僵硬而不自信。多年後回想,那何嘗不是老天的保護?如果我真的擁有完美的牙齒並被選中,命運會將我推向何方?每每想到此,只覺脊背發涼。

四、沒來由的腹痛

1987年初夏,一位在校工作的男青年問我「是否想看錄像帶?」他說「如果你錯過了機會,你就錯過了一生」。他的表情有點怪。

「黃帶?」我問。

「是的。」他回答。

「我能帶一位朋友去嗎?」

「男的?女的?」

「女的。」

他想了想說:「好的  只要她能保密。」

那個年月看「黃帶」是犯法的。在那個好奇心戰勝恐懼的年紀,我拉了一位好友嗲妹妹陪我壯膽。那男青年是在我們大學裡工作的,人品應該不錯,他又彈得一手好鋼琴。在我們成長的那個年月,一般人是碰不到鋼琴的。社會上私人教學是不被允許的,這就說明他出身於一個有教養的家庭。當然這都是我那簡單腦瓜子的認為。錄像是在他朋友家看的。男主人也跟我們同齡。互相介紹後進了屋,男主人給我們倒了茶水。「如果聽到有人敲門 要冷靜。」他說,「你開燈,」他指著我校男生,然後指著我倆「你們俩坐著,正常地聊天好嗎?」說完就按了播放鍵……

我和嗲妹妹都驚呆了,從沒想到畫面會如此「生動!」真讓人反胃,我們屏住呼吸,盯著屏幕,不知道該做什麼,說什麼。我們應該叫他們關機嗎?我們應該立即站起來離開嗎?我們應該表現出憤怒嗎?但我們什麼也沒做。影片繼續播放。「篤、篤、篤、」突然有人敲門!

坐在床沿上的男生立刻去關機,用大毛巾蓋住。主人從床上跳下來,開燈  用食指擋住嘴巴,示意保持冷靜。我倆的臉通紅。門開了一條縫,然後就聽到他說「媽媽!」他母親沒有進屋。男生轉過身說「哇  好險!」他按了錄音機的鍵,播放了音樂「放鬆一點吧,你們都太緊張了,」「來、來、來、跳個舞吧!」「我不會跳舞,」嗲妹妹說。「沒關係,能放鬆一點就好。」開始跳舞,我倆都很緊張,不想發生任何事,我俩來之前就商量好了的。氣氛陷入微妙尷尬時,突然間我的肚子劇烈的疼了起來,難以耐受。我們就告辭了。

第二次是同年盛夏,在去廣州的途中,我買了硬臥票,睡中鋪,在車上待了30個小時左右。對面上下舖有兩個做生意的上海年輕人很健談,說做生意并不難他們從廣州採購到上海出售,僅僅三年就發了。回滬後,我應他們的邀約,在街邊大排檔喝飲料聊天。同樣模式的劇烈腹痛,再次毫無徵兆地降臨,讓我不得不草草離場。平時不會有無緣無故肚子疼的。唯獨這兩次,毫無心機的我在不知如何收場時,身體替我做出了決定。

五、上蒼之手?

那些痛苦的瞬間,被否定的容貌,甚至突如其來的病痛,原來都是上蒼看我太過懵懂,在人生的轉角處悄悄地拉住了我的那隻手。

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Divine Protection: When Pain Became My Shield

Chapter 1: The Invisible Amulet

Only after decades of life have settled and clarified do I finally arrive at a sudden, piercing realization: my mother’s heavy political label as a "Counter-Revolutionary" back then was actually the most invisible amulet the heavens could have gifted our family during those turbulent years. Yet at the time, we felt nothing but endless, unyielding pain.

Chapter 2: An Innate Safeguard

In truth, I was born with a natural shield of my own—my snaggleteeth (canine fangs). Before I started elementary school, my father took me to have them pulled out. In the only three photographs remaining from my early childhood, my expressions are uniformly solemn, completely hiding my teeth. It wasn't until a photograph from 1970 that a smile finally emerged on my face. But looking back, that was an exceptionally fleeting, carefree laugh in the grand canvas of my life.

Chapter 3: Pain of the Past, Gratitude of Today

In 1970, Shanghai’s famous "Top Ten Luxury Hotels" conducted a beauty-pageant-style recruitment drive across various local high schools. The school administration selected me—and me alone from our entire institution—to go to the District Education Bureau for the recruitment physical and interview.

Inside the room, the medical examiners in military-style white coats deliberately told a joke that triggered an explosion of laughter among the fifty or sixty applicants gathered there. Right in front of everyone, the "white coats" clicked their tongues and sighed directly at me: "Ah, what a pity! This girl looks so beautiful when she doesn't smile, but those two front teeth of hers..."

Those words deeply stung my adolescent pride. From that day onward, I never dared to smile freely again. Whenever a camera was pointed at me, my facial muscles would freeze up with a profound lack of self-confidence.

Yet, decades later, when I look back on that painful day, I realize it was nothing short of divine intervention. If I had possessed a set of flawless teeth and had actually been selected by those luxury hotels, where would that twist of fate have pushed my life? Every time this thought crosses my mind, a cold shiver runs down my spine.

Chapter 4: Unexplained Abdominal Pain

In the early summer of 1987, a young man who worked at my university asked me a peculiar question: "Do you want to watch a video tape?" He added, "If you miss this chance, you will miss out on it for the rest of your life." His expression was strangely intense.

"An adult tape?" I asked bluntly.

"Yes," he replied.

"Can I bring a friend with me?"

"Male or female?"

"A female friend."

He pondered it for a moment and said, "Alright, as long as she can keep a secret."

In those years, watching smuggled adult videotapes was strictly illegal. At an age where curiosity routinely triumphed over fear, I brought along a close friend—a sweet, charming girl (a classic Shanghai Dia-Meme)—to boost my courage. The young man worked at our university, so I assumed his character must be decent. He also played the piano beautifully. In the era we grew up in, ordinary people rarely had access to a piano, and private lessons were strictly prohibited by society. To me, this signaled that he came from a highly cultured, educated family. Of course, that was just the naive logic of my simple mind back then.

The viewing took place at his friend’s apartment. The male host was roughly our age. After brief introductions, we entered the room, and the host poured us some tea. "If you hear anyone knocking on the door, stay calm," he instructed. He pointed to the university colleague: "You turn on the main light." Then he pointed to the two of us: "You two just sit there and chat naturally, okay?" With that, he hit the play button.

My friend and I were utterly paralyzed. We had never imagined images could be so incredibly "graphic!" It was genuinely stomach-churning. We held our breath, staring blankly at the screen, entirely at a loss for what to do or say. Should we demand they turn it off? Should we immediately stand up and walk out? Should we show righteous indignation? In our shock, we did absolutely nothing.

The tape rolled on. Suddenly—knock, knock, knock—someone was at the door!

The young man sitting on the edge of the bed instantly cut the power and threw a large towel over the television set. The host leaped off the bed, flipped the light switch on, and put his index finger to his lips, gesturing for absolute silence. Our faces were burning crimson.

The front door creaked open slightly, and we heard him call out, "Mom!" Luckily, his mother did not come inside the room. The young man turned back to us, letting out a breath: "Wow, that was a close call!" He pressed a button on a tape recorder, flooding the tense room with music. "Let's relax a bit, you guys are way too stiff," he urged. "Come on, let's dance!"

"I don't know how to dance," my sweet friend blurted out.

"It doesn't matter, just relax." They started to move to the music. The two of us were incredibly anxious; we had firmly agreed before coming that we did not want anything compromising to happen. Just as the atmosphere was descending into a profoundly subtle, awkward tension, a sharp, excruciating pain suddenly tore through my abdomen. It was entirely unbearable. Grabbing onto the excuse of this sudden illness, we immediately said our goodbyes and escaped.

The second incident occurred during the height of summer that same year. On a trip to Guangzhou, I had purchased a hard-sleeper train ticket and was assigned the middle berth. The journey took about thirty hours. Directly opposite me, occupying the upper and lower berths, were two highly loquacious young men from Shanghai who were into private commerce. They chatted animatedly about how easy it was to make money, boasting that they had amassed a fortune in just three years by sourcing goods from Guangzhou to sell back in Shanghai.

After returning to Shanghai, I accepted their invitation to meet up at a roadside food stall to chat over drinks. Without warning, the exact same pattern of excruciating abdominal pain descended upon me out of nowhere. It forced me to cut the gathering short and leave immediately.

Normally, I never suffered from random, unprovoked stomach aches. Yet on those two specific occasions, when my completely naive, defenseless self had absolutely no idea how to gracefully exit a dangerous or uncomfortable situation, my own body stepped in and made the executive decision for me.

Chapter 5: The Hand of the Heavens?

Those agonizing moments, the harsh rejection of my appearance, and even those sudden, mysterious bodily pains—I now see them for what they truly were. They were the manifestations of a divine hand. Seeing how terribly oblivious and innocent I was, the heavens had quietly reached down at the critical intersections of my life, gently but firmly pulling me back from the edge.

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百四十一篇