Saturday, September 12, 2026

《電子管的微光與夜大的重重陰影》

為適應教育事業發展的需要,1978年,上海市教育局決定委託華東師範大學舉辦一期教輔人員培訓班,學習期限為兩年,畢業後給予中專待遇,由市教育局統一分配至本市有關高校大專和新辦的各分校,從事實驗員教輔工作。

當年校招生辦人員在上海市郊區,近十個國營農場報考大學落榜名單裡挑了30名考分接近錄取線的報考生,我也有幸在被選之列。那是恢復高考的第二年。前一年的77級高考我沒考上,而78年我的高考分數是290分,比300分的錄取線差了10分。讀兩年拿中專,雖然不盡人意,總比繼續當漁家女強。而且,小時候心心念念、無限憧憬的地方,竟然就是華東師大的校園。

我們的高等數學、普通物理、晶體管電路、數字電路、計算機原理、計算機語言等基礎課程,是和77級的大學生一起上的大課,其他專業課程是在小教室上的。我們當時的課程還有:英語、機械製圖、攝影、黑白電視原理、彩色電視原理、錄像機原理、 錄像製作等。

在校期間,我很喜歡畫那些電子線路圖、方波圖、與非門邏輯電路圖等,而且成績都很好。7管半導體收音機組裝是電子技術實驗課最後完成的作業,我沒花多少時間就組裝好了。我的動手能力較強,要歸功於小時候。

自我有記憶起,就經常看到爸爸在搗鼓家裡的那台電子管收音機。一臺用舊了、壞了,過一陣子他又不知道從哪兒弄來一臺繼續琢磨。那時候我不記得牌子,但裡面什麼樣子我卻記得清清楚楚:那一個個電子管,像高樓一樣立在機盤上。那些零件兒,像帶開關的電位器呀、功放管、整流管、還有線圈兒、磁棒等,我都能認出個七七八八。爸爸拆下來的那個雙聯可變電容器,更是成了我的玩具,拿在手裡轉呀轉的,能玩兒好久,激發了我孩提时代的想像。

那時候我總想,爸爸怎麼這麼厲害?拆下來的東西每次都能完好無缺地安回去。後來才知道,爸爸在廠裡是「八級工」,那是當時工人能達到的最高技術等級,有一百零幾塊的工資。那時候他們的工廠是個頂級的保密單位,大門口有軍人站崗。不像現在的印鈔廠那樣直接掛著「印鈔」兩個字。那個時候,職工都簽過保密協議,連家屬也不能知道他們工廠的性質的。我也是聽小哥哥阿六神神秘秘地說過那麼一句:「爸爸廠裡是印鈔的。」而且說要保密,我當時聽得汗毛倒豎,覺得緊張又神秘。六哥也是聽其他小夥伴兒們說的,當時村裡住的基本上都是五四二廠的員工家屬。看來保密雖然保密,但是總有嘴巴把不住關的人,但大人基本上是心知肚明的。

爸爸彷彿對所有能動、能響的機械和電子玩意兒都著迷,家裡的那台三五牌台鐘也經常被他打開後門,直接掏出裡面的「內臟」零件擺弄;至於那小鬧鐘,更是動不動就被他「大卸八塊」。

只要爸爸一開始在家幹活,手裡總是拿著電烙鐵,往松香裡輕輕一點,「哧——」地一聲冒出一股白煙兒,空氣裡頓時散發出一股特殊的松香味。接著再點一下焊錫,爸爸就在那裡點點,這裡焊焊。他的上衣口袋裡總插著一支電筆,身旁擺著測量電壓電流的萬用表,那錫條則是繞成一卷一卷的。

後來,我們家終於升級到晶體管收音機了。童年最快樂的時光莫過於每天傍晚六點半,時鐘還沒敲響,我和年紀相仿的哥哥們,還有鄰居家的男孩們,就已經圍坐在收音機旁,一天不落。我們焦急地等待著播音員陳淳的聲音,他那充滿魔力的嗓音彷彿能將我們帶入戰火紛飛的年代,讓我們沉浸在《紅旗譜》、《紅岩》、《烈火金剛》和《小兵張嘎》等作品所描繪的世界之中。像高老忠等鮮明的人物、肖飛買藥的故事情節使我們聽得入神,深深地印在了我們的小腦瓜裡,為我們的兒童時代增添了無限的想像力。

不料,在大學裡讀中專造成了我嚴重的心理障礙,一樣的美麗校園,一樣在階梯教室裡上大課,一樣的大學教授講課,一樣的努力學習,可別人讀四年後是大學生,而我們只能讀兩年。

當時物理樓門框上的三個牌子分別是:計算機科學系、現代教育技術研究所、和物理系。底層大門東側,走道北邊第一間135教室,是我讀了兩年中專班的專用教室。在兩年中我們學習了19門與電教技術專業相關的課程。畢業後全班同學被分配到九所大學和教育機構工作。

我被分配在本校電教所工作,具體是為攝製組拍的教學片後期編輯配音。能留校工作應該是很不錯的了,可是在高等學府工作卻沒有高學歷~~ 無形中的自卑感、壓抑感、加上虛榮心折磨著我年輕悸動的心。古人常說「寧為雞口,無為牛後」,而在這大牌雲集的高校裡,我成了最微不足道的「牛後」,那種「鶴立雞群」的驕傲滋味兒是再也體會不到了。

1982年我還參加了物理系的暑期加班,組裝12吋黑白電視機。近水樓台,低價大約80塊人民幣買了一台,從那時起,我們家也有了電視機。老同學說:「當時的黑白電視機剛開始進入家庭,而且9英寸的居多,以當時人們的收入水平看還是很貴的,一台黑白9英寸的凱歌電視機要賣225元(帶收音245元),我們中專畢業時工資是每月49​​元,儘管這樣電視機還要憑票購買,物理系一些搞實驗的老師們就自行採購元件,自行組裝,而且是12吋的,以成本價賣給教職員工,所以會覺得便宜。 」

1982年3~4月的某一個午後,我在二樓編輯室裡看書,忽然有人在我桌上「砰——」地一聲,放了一摞書。

「給你的。」同事小W的聲音同時傳來。

「幹嗎呀,你嚇我一跳!」我抬起頭,條件反射地照著他的左手臂就是一拳,當然力道不重。

「嘿嘿~」他笑道:「6月份夜大入學考試,你趕快複習了去考。」

「考什麼?什麼夜大?」我驚訝地看著他。

「哈!你還不知道啊?人家小Z已經在夜大數學系讀了一年了。」

小Z是我的好友,但這事我卻不知道。「你也準備考嗎?」他點點頭。

「啊呀!怎麼不早告訴我呢?」

「急什麼,這不還有兩個月呢。」

「有什麼專業?」

「甭管有什麼專業,考數學系!我爸說只有讀數學系才有前途,三年拿大專文憑,繼續讀滿五年拿本科。你聰明,你能考進的,你肯定能考進的,讀三年後你就可以考我爸的研究生,然後咱們一起出國。」

「什麼時候報名?怎麼報名?到那裡去報名?」我沒想得像他那麼遠。望著他憧憬未來的迷離目光,一連串地發問。

「我會通知你的。」

小Z的父母也都是華師大的教授,他們消息相當靈通。 6月我們都參加考試了。我的數學考了85分。7月錄取榜上沒有他的名字。

因為個人的原因,我從數學系轉去了中文系。人們也都說女孩子讀理工科沒前途。說實話,要我考文科,我絕對會落榜的。當年就是作文与政治的分數低,躍不過高考入取分數線。

但是一切的努力都無濟於事,都無法解開我心裡的病結。畢竟是「夜」幕沉沉啊~ 抬不起頭來。為什麼中專畢業後就不能考正規大學了呢? !遺憾 !

**********************************

The Glow of the Vacuum Tubes and the Heavy Shadows of the "Night" University

To meet the growing needs of the educational sector, in 1979, the Shanghai Bureau of Education commissioned East China Normal University (ECNU) to host a special training program for technical and educational support staff. It was a two-year program. Upon graduation, we would receive a technical secondary school (Zhongzhuan) status and be assigned by the Bureau to various local universities, colleges, or newly established branch campuses to work as lab assistants and instructional aides.

Back then, ECNU's admissions officers traveled to nearly ten state-owned farms in the suburbs of Shanghai. From the list of students who had narrowly missed the cutoff score for the regular university entrance exam (Gaokao), they selected 30 candidates whose scores came closest.  It was only the second year since the reinstatement of the National College Entrance Examination. I had failed to get in during the legendary Class of '77 exam the year prior, and in 1978, I scored 290 points—missing the 300-point university admission cutoff by a mere 10 points. Fortunately, I was among the chosen few. Going to school for two years to get a technical diploma was not entirely ideal, but it was far better than remaining a state-farm fisher-maiden. Moreover, the very place I had daydreamed about and longed for since childhood turned out to be none other than the ECNU campus.

Our foundational courses—including Advanced Mathematics, General Physics, Transistor Circuits, Digital Circuits, Computer Principles, and Programming Languages—were large lecture classes taken alongside the prestigious ECNU undergraduate Class of '77. Our specialized courses, however, were held in smaller classrooms. Our curriculum was diverse and demanding: English, Mechanical Drawing, Photography, Black-and-White Television Principles, Color Television Principles, Video Recorder Principles, and Video Production.

During my time at school, I fell in love with drawing electronic circuit diagrams, square wave graphs, and NAND gate logic circuit layouts. My grades in these subjects were excellent. As the final assignment for our electronic technology lab, we had to assemble a 7-transistor semiconductor radio. It took me very little time to put it together. My strong hands-on ability was a gift rooted deeply in my childhood.

For as long as I can remember, I always saw my father tinkering with the vacuum tube radio at home. When one grew old or broke down, he would somehow procure another one after a while and continue analyzing it. I couldn’t recall the brand back then, but I remembered exactly what its inside looked like: those vacuum tubes stood on the metal chassis like miniature skyscrapers. I could recognize almost eighty percent of the components—the potentiometers with power switches, the power amplifier tubes, the rectifier tubes, the coils, and the magnetic rods. The dual-gang variable capacitor that my father dismantled became my favorite toy. I would turn it round and round in my hands, playing with it for hours, letting it spark my imagination.

Back then, I always wondered, How could my father be so incredible? Everything he took apart was always put back together flawlessly, without a single missing piece. Only later did I find out that my father was an "Eighth-Grade Artisan" at the factory—the absolute pinnacle of technical ranking a worker could achieve back then—which brought in a monthly salary of over one hundred RMB. At that time, their factory was a top-secret enterprise, with armed military guards standing watch at the main entrance. It looked nothing like today's banknote printing plants, which boldly display the words "Banknote Printing" right on the gates. Back then, all employees had signed strict confidentiality agreements; even family members were forbidden from knowing the true nature of the factory. I, too, only found out through a hushed, secretive whisper from my slightly older brother, Ah Liu: "Dad's factory prints money." He emphasized that it had to be kept a complete secret. Hearing that made the hairs on my arms stand up; I felt a rush of intense nervousness and mystery. My sixth brother had actually caught wind of it from other neighborhood kids, as the village we lived in was almost entirely populated by the dependents of Factory 542's employees. It seemed that no matter how strict the secrecy was, there would always be lips that couldn't quite hold a secret. The adults, however, were mostly keeping their understanding unvoiced.

Perhaps because of the innate precision of an Eighth-Grade Artisan and his obsession with all things mechanical, the Sanwu brand grandfather clock in our living room could never escape his "clutches." He would frequently open its back door, pull out its mechanical "guts," and fiddle with them. As for the small alarm clocks in the house, they were routinely ripped to shreds by him.

Whenever my father started working at home, he would hold his soldering iron and tap it lightly against the pine resin. With a loud Chiii—! a plume of white smoke would rise, instantly filling the air with that distinct, comforting scent of rosin. Then, he would tap the solder wire, welding seamlessly here and there. A test pen was always tucked into his shirt pocket, a multimeter for measuring voltage and current sat by his side, and the tin solder strips were wound into neat, tight coils.

Later, our family finally upgraded to a transistor radio. The happiest moments of our childhood were surely every evening at 6:30 PM. Before the clock even struck, my brothers, who were close to my age, the neighborhood boys, and I would already be sitting in a tight circle around the radio without missing a single day. We would wait impatiently for the voice of the announcer, Chen Chun, whose magical tone would carry us away into the war-torn eras, immersing us in the worlds depicted in works like The Red Flag Chronicle, Red Crag, Steel Meets Fire, and Little Soldier Zhang Ga. Vivid characters like Gao Laozhong came alive, and plots like Xiao Fei sneaking out to buy medicine captivated our young minds, leaving an indelible mark on our childhood brains and adding boundless imagination to our early years.

At that time, three plaques hung on the frame of the Physics Building entrance: the Department of Computer Science, the Institute of Modern Educational Technology, and the Department of Physics. On the east side of the ground floor, the very first room on the north side of the corridor—Classroom 135—was our dedicated home for those two years. During our time there, we completed 19 courses related to educational technology. Upon graduation, our classmates were distributed among nine universities and educational institutions.

I was assigned to work right at ECNU’s Institute of Educational Technology. Specifically, my job was post-production editing and voice-over dubbing for instructional films created by the film crew. To be able to stay and work at one’s alma mater should have been considered a stroke of great luck. Yet, working in a pinnacle of higher education without a prestigious degree meant that an invisible sense of inferiority, oppression, and youthful vanity constantly tormented my restless heart. The ancients said, "Better to be the head of a chicken than the tail of an ox." But in this university crowded with towering intellectuals, I felt like the most insignificant "tail of an ox." The proud feeling of standing out like a crane among a flock of chickens was something I would never experience again.

During my first year, I volunteered for summer overtime in the Physics Department, assembling 12-inch black-and-white televisions. Being close to the source, I managed to buy one at a cost price of about 80 RMB. From then on, our family had a TV to watch, too. An old classmate later recalled: "Back then, black-and-white TVs were just beginning to enter households, and most were only 9 inches. Relative to income levels, they were incredibly expensive. A 9-inch Kaige TV cost 225 RMB (245 RMB with a built-in radio), while our monthly salary upon graduation was a mere 49 RMB. Even if you had the money, you needed a special ration coupon to buy one. Some lab professors in the Physics Department bought the components themselves, assembled them into superior 12-inch sets, and sold them to faculty and staff at cost. That's why it felt like such a steal."

One afternoon in March or April of 1982, as I was reading in the second-floor editing room, someone suddenly dropped a heavy stack of books onto my desk with a loud Thud!

"These are for you," came the voice of my colleague, Xiao W.

"What are you doing? You scared the life out of me!" I looked up, reflexively throwing a punch at his left arm—not too hard, of course.

"Heheh," he grinned. "The entrance exam for the Night University is coming up in June. Hurry up, review these, and go take it."

"An exam for what? What Night University?" I looked at him in utter bewilderment.

"Ha! You don't know yet? Xiao Z has already been studying in the Night University's Mathematics Department for a whole year."

Xiao Z was my close friend, yet I had been kept entirely in the dark. "Are you going to take it too?" I asked. He nodded.

"Oh my goodness! Why didn't you tell me sooner?"

"What's the rush? There are still two months left."

"What majors do they have?"

"Doesn't matter what majors they have, just major in Mathematics! My dad says that studying math is the only path to a real future. It takes three years to get an associate degree, and if you stay for five, you get a full bachelor's degree. You're smart; you can get in. You will definitely get in. After three years, you can take the entrance exam to become my father's graduate student, and then we can go abroad together."

"When is registration? How do we sign up? Where do we go?" I hadn’t thought as far ahead into the future as he had. Watching the dreamy look in his eyes as he envisioned our future, I fired off a barrage of questions.

"I’ll let you know when the time comes."

Xiao Z's parents were also professors at ECNU, so they were incredibly well-informed. When June arrived, we both took the exam. I scored an 85 in Mathematics. But when the admission list came out in July, his name was nowhere to be found.

Due to personal reasons, I eventually transferred from the Mathematics Department to the Chinese Department. People always said that girls had no future in STEM. To be completely honest, if I had been forced to take the humanities entrance exam initially, I would have failed catastrophically. Back then, it was precisely my low scores in essay writing and politics that kept me from crossing the threshold of the regular university admissions cutoff.

Yet, no matter how hard I tried, none of my efforts could untangle the knot in my heart. After all, it was a "Night" university, and the heavy shadows of that word still made it hard to lift my head with pride. Why was it that after graduating from our technical program, we couldn't just directly test into a regular, full-time university?! What an eternal regret.

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百六十二篇

Thursday, September 10, 2026

《1975·農場歲月:兩隻飛鳥與落選的青春》

我最早開始記錄夢境是在1975年前後,那時我正在農場偏遠的漁業隊工作。那一年,有三個夢在記憶裡歷歷在目、經久不散:

一、夢裡來到一棟大氣磅礴的水晶玻璃大樓面前。那樓造型簡練方正,看起來沒框沒架,卻有多層。透過晶瑩剔透的玻璃牆,隱約可見裡面的萬紫千紅。步入其中,但見層層百花齊放,棵棵仙株奇芭,真是千姿百態,令人流連忘返。大樓正面上方赫然寫著「百花樓」幾個大字。

二、「落燕亭」坐落在清澈的水邊,傍有斜依清風的依依楊柳。垂到水面的柳條隨風蕩起輕波漣漪,弄皺了自身的倒影。夕陽餘暉裡,燕子繞梁低飛,啼鳴之聲悅耳動聽。

三、1975年春。夢中看到兩隻漂亮的鳥在空中翱翔,我伸手輕輕一撩,竟一把將牠們抓到了手裡,展開手心一看,飛鳥卻變成了兩顆包裝精美的糖果。剝開糖紙把糖送進嘴裡,雙眼微閉,雙唇一抿,正想去捕捉那份期待中的甜蜜。呃~呸!呸!我馬上又吐了出來。那糖是苦澀的,還在嘴裡碎成了沙子,吐也吐不幹淨。惊醒。

那年春天,聽說有上影廠的導演來農場招演員,去了好幾個連隊踅摸人,卻唯獨沒來我們這個地處偏遠、人煙稀少的漁業隊。我心有不甘,又帶著幾分初生牛犢的自不量力,便跟著另一個女生一起去了老場部,希望能製造一場與導演擦肩而過的機會。

果然,在擁擠喧鬧的小賣部裡,遠遠地看到了演員陳述等人的身影。稍後路過場部大禮堂,裡面正準備面試考生,我們在門口張望,沒想到他們看見了,也讓我進去參加了面試。那時大概有二十來個人接受考核。我緊張忐忑地朗誦了一首當時《小說月報》上刊登的詩,開頭是:「好高的樹啊好高的稍,白羊肚手巾紅袖標。」

落選是注定的,但關鍵是我去了,便無怨無悔。後來我報名參軍,卻因為母親歷史上曾被打成反革命的政治原因,政審最終沒能通過,連體檢都沒讓我參加。命運無常,其實這場人生突圍的最終結局,早在那場「兩隻漂亮飛鳥」的苦澀夢境裡,便已精準地向我的元神揭示了謎底。

連體檢也沒上網參加。其實結果在這「兩隻漂亮的鳥夢」裡早有揭示。

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1975: The Farm Years — Two Flying Birds and a Defiant Youtho

The very genesis of my dream journals dates back to around 1975, during my days stationed with the remote fishery team on the farm. Three distinct dreams from that year remain crystal-clear, etched indelibly into my mind:

I. In my sleep, I arrived before a grand, magnificent mansion constructed entirely of crystal glass. The architecture was minimalist and squared—seemingly completely seamless and without frames, yet rising multiple stories high. Through those immaculate, transparent glass walls, a spectacular sea of vibrant colors shimmered from within. Stepping inside, I was greeted by tier upon tier of blossoming flora and celestial, wondrous plants of countless forms, leaving me utterly spellbound and reluctant to depart. Atop the grand facade, several bold characters declared its name: The Pavilion of a Hundred Flowers.

II. A sanctuary named The Pavilion of the Fallen Swallow sat quietly by the water’s edge, flanked by weeping willows leaning gracefully into a gentle breeze. Their trailing branches grazed the surface, sending soft ripples dancing across the water and distorting their own reflections. In the fading amber glow of twilight, swallows wheeled around the rafters, their crystalline calls bringing pure music to the ears.

III. The spring of 1975. In my dream, I witnessed two exquisite birds soaring through the sky. With a casual sweep of my hand, I reached out and scooped them right out of the air. Opening my palm, the birds had transformed into two beautifully wrapped candies. I peeled away the tinsel and popped them into my mouth, closing my eyes slightly and pursing my lips, eager to savor the anticipated sweetness. Ugh—ptui! Ptui! I instantly spat them out in disgust. The sweets were intensely bitter, crumbling into dry sand inside my mouth that could never be completely rinsed away. Awakened.

That very spring, whispers rippled through the farm that directors from the Shanghai Film Studio had arrived to scout for actors. They combed through several companies looking for talent, but bypassed our small, remote fishery outpost entirely. Refusing to succumb to resignation, and fueled by a reckless youthful audacity, I paired up with another girl and trekked to the old farm headquarters, hoping to manufacture a chance encounter with the directors.

Sure enough, inside the swarming general store, I caught a distant glimpse of the famous actor Chen Shu and his entourage. Later, as we passed the main auditorium where auditions were actively being prepared, we peered eagerly through the doorway. To our shock, they spotted us and invited me inside to audition alongside roughly twenty other candidates. Stricken with trembling nerves, I recited a contemporary poem published in the Fiction Monthly journal. It opened with the lines: "How tall the trees grow, how high their crests rise; white sheep-skin headscarves and red armbands against the skies."

Failure was an absolute mathematical certainty, yet the triumph lay in the fact that I threw myself into the arena—leaving me with zero regrets. Later on, when I attempted to enlist in the military, I failed the political background check due to my mother’s historical status as a designated counter-revolutionary; I was barred from even participating in the physical examination. The cruelty of destiny had already unreeled its blueprint; the bitter outcome of this entire youthful gamble had been laid bare to my soul long before, precisely decoded within that fleeting illusion of the two beautiful birds.

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百六十一篇

Wednesday, September 9, 2026

《困於繁花深處的青澀之蛇》

在風華正茂的年代,我的夢境經常被蛇所困。

那時,大約有半數的夢裡都爬滿了無數的蛇。有時,夢見自己走在一片美不勝收的幽林里,四下里卻到處都是盤踞游移的蛇,嚇得我渾身僵硬,怎麼也邁不開步子。更有甚者,那蛇會侵入我的居室,在牆角邊、地上、甚至在床上和蓋着的被子底下冷不防地蠕動。那是一種鋪天蓋地、令人窒息的恐怖。

後來聽聞弗洛伊德的心理學解釋,說夢中的蛇往往是男性生殖器的象徵。可諷刺的是,在那個乾涸而保守的年代,我對男性的認識幾乎是一片冰冷的空白。我估計,這無處安放的夜間恐懼,多半和小時候學校組織看過的那部科教片《蛇島的秘密》有關。那真是一部毀人一生的科教片,小孩子根本就不該被組織去觀看!當時一同觀看的還有1965年的科教片《泥石流》,同樣恐怖至極,留下了伴隨前半生的精神創傷(Traumatizing)。這層恐懼一直如影隨形。

直到1989年2月27日上午,我從香港的泰領館順利拿到過境簽證,立刻啟程前往泰國。3月1日下午,在當地的鱷魚潭動物園裡,觀賞完驚險的鬥鱷魚與耍蛇表演後,耍蛇人竟扛出一條又粗又長、淺色有花紋的大蛇,邀請觀眾上前合抱。看著十多個各國遊客踴躍排成一遛去抱,我也不知怎的抖著膽子上前去——出於好奇,更帶著幾分討好般的企盼,我伸手摸了一下那光溜的蛇身。 剎那間,那種怪怪的、麻絲絲、滑溜溜、帶有肌肉強烈扭動的未知觸感,在我的指掌間持久不散。我最怕蛇了,它們常在夢中驚嚇我;那一刻我的潛意識在暗暗祈盼:我這一摸,它們能從此在夢裡放過我。這或許真的成了一個轉折點。

後來我逐漸明白「正能壓邪」的道理,在平日子裡不斷累積浩然正氣,才真正從這層童年的陰影裡走了出來。不成想,命運好巧不巧,後來與我朝夕相伴、攜手一起過日子的這位,竟然是屬蛇的!這難道也是一場跨越時間的預知夢嗎?

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Scroll I. The Coils of Youth: Snake Dreams

During the prime years of my youth, my dreams were frequently besieged and trapped by snakes.

In those days, roughly half of my nighttime journeys were swarming with them. Sometimes, I would find myself walking through a breathtakingly beautiful forest, only to discover that the lush ground was crawling with coiling, slithering serpents, leaving me so utterly paralyzed with terror that I couldn't take a single step. Even worse, they would invade my sanctuary—lurking in corners, sliding across the floor, over my bed, and cold against my skin beneath the blankets. It was a suffocating, omnipotent horror.Later in life, I encountered Sigmund Freud’s psychoanalysis, which famously interprets snakes in dreams as phallic symbols. The cosmic irony was that in that parched, fiercely conservative era, my actual understanding of men was almost an absolute zero. In all likelihood, this unplaceable nightmare grew from a childhood seed, when our school organized a screening of the science education film The Secret of Snake Island. It was a bone-chilling, soul-crushing film that ruined a child's peace of mind; children should never have been forced to witness it! Alongside it, we were shown the 1965 documentary Mudslide, another deeply traumatizing spectacle of horror.

This shadow shadowed me for decades, until a singular convergence in reality took place. On the morning of February 27, 1989, after securing my transit visa from the Thai Consulate in Hong Kong, I immediately embarked on my journey to Thailand. On the afternoon of March 1, at the local Crocodile Farm and Zoo, I found myself watching a thrilling exhibition of crocodile wrestling and snake charming. At the climax, the charmer hauled out an immense, thick, light-colored patterned serpent, inviting the audience to step forward and hold it. Watching a dozen tourists from various nations eagerly queue up, a sudden surge of trembling courage propelled me forward. Driven by curiosity, and perhaps a desperate desire to appease my lifelong tormentor, I reached out and stroked that slick, bare serpentine skin. Instantly, a bizarre, tingling, slithering sensation of raw, rippling muscle seared into my palm, lingering stubbornly for a long time afterward. I feared snakes above all else; they had besieged my sleep for a lifetime. In that fleeting contact, my subconscious was whispering a silent plea for peace: I hoped that with this single touch, they might finally grant me sanctuary and release me from the nightmares forever. Perhaps that day truly marked the turning point.

Later in life, I finally realized that pure, upright energy eventually conquers the shadows. By consciously cultivating a resilient inner light, I gradually stepped out of that childhood darkness. Yet, by some surreal twist of cosmic irony, the life partner with whom I eventually settled down and shared my years happened to be born in the Year of the Snake! Was that entire wilderness of nightmares, after all, a vast premonition dream waiting across the river of time?

特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百六十篇

Tuesday, September 8, 2026

夢裡乾坤·總綱 Universe Within a Dream: General Outline

 

我的夢境檔案有幾大類
我自幼無覺不夢。內心深處的夜間世界奇異譎詭、色彩斑斕,且具備強烈的超現實藝術感。有時一夜數夢,醒後依然記憶猶新。多年來,我習慣將這些夢境隨手記錄,或畫下斑駁的草圖。奇妙的是,許多夢中的人與事,常在醒後的現實、電視的畫面、乃至未來的日子裡似曾相識地重現。
我的夢境自帶一種生命史詩般的進化性:從早年的逢山遇水、被追逃亡、跨境受阻,進化到如今在戒嚴與迷宮中能中彈而不痛、化影穿牆。過去那種被打斷便無法重拾的遺憾,在如今已能續夢,甚至經歷精巧的夢中夢。
這些夜間的靈魂漫遊看似紛亂,實則有跡可循。它們常常在不同的時間與地點反覆造訪,凝聚成十五種獨特的記憶卷軸。
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My Multiverse of the Night: An Overview
Since my earliest childhood, never have I slept without dreaming. The nighttime world deep within my soul is a bizarre, vibrant kaleidoscope, possessing a fierce sense of surrealist artistry. Often, several dreams unreel in a single night, remaining entirely vivid upon my waking. Over the decades, I have routinely transcribed these night journals or sketched out their stark visual outlines. Mysteriously, many countenances and occurrences witnessed in my sleep have reappeared with a profound sense of déjà vu in the days that followed—manifesting in my physical reality, on television screens, or in the unfolding of my future.
My dreamscapes possess a striking, evolutionary trajectory: progressing from the panicked alpine crossings, frantic escapes, and blocked borders of my youth, to a mature state where I can now take bullet strikes without pain in militarized mazes and turn my frame into a shadow that walks through solid brick walls. The ancient frustrations of an interrupted dream dissolving forever have evolved; I can now seamlessly resume broken dreams, and even navigate intricate dreams-within-dreams.
These nocturnal voyages may appear chaotic, yet they follow a hidden geometry. They routinely revisit my sleep across shifting epochs and landscapes, crystallizing into fifteen distinct scrolls of memory.
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特別感謝 Gemini AI 提供充滿活力的翻譯和文本潤色。

Special thanks to Gemini AI for providing the spirited translation and text refinement.

第三百五十九篇